Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...
Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...
theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Son...
VINYL OF THE MONTH
Blood Incantation Absolute Elsewhere (Century Media)
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Blu-ray: Juggernaut
That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the...
Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...
How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...
Electric Dreams: Art and Technology Before the Internet, Ta...
Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...
Album: Panelia - Nothing and All At Once
Nothing and All at Once is the debut album from New Delhi...
Music Reissues Weekly: John Cale - The Academy in Peril, Par...
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...
Blu-ray: Black Tuesday
The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...
The Importance of Being Earnest, National Theatre review - n...
If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...