Adam Sweeting
Articles By Adam Sweeting
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...
How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...
Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...
Nothing and All at Once is the debut album from New Delhi...
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...
The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...
If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...
“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t...
It's all too easy to underplay the melancholy of ...