Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Endurance review - the greatest escape, AI-assisted
Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition, which set out in 1914 only to be marooned until August 1916, was a failure but a “...
Album: Mystery Time - Maudlin Tales of Grief and Love
Londoner Ayman Rostom has been around the block and then some. For some 25 years he’s been a hip hop producer as Dr Zygote, for the past decade he...
Disclaimer, Apple TV+ review - a misfiring revenge saga from...
It seems to be silly season for big-name directors...
theartsdesk on Vinyl 86: Molly Tuttle, Depeche Mode, Pharoah...
VINYL OF THE MONTH
Hannah Scott Absence of Doubt (Fancourt Music)
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A Midsummer Night’s Dream, Opera North review - one of the b...
Martin Duncan’s 2008 production of A Midsummer Night’s Dream remains one of the best and funniest things Opera North has ever done – back...
Rose Matafeo, Arcola Theatre review - Starstruck star muses...
Rose Matafeo knows how to make an entrance, as she enters the stage with a choreographed dance. She's useless at ending things, she says – shows,...
Kaleidoscope Chamber Collective, Hatfield House review - mus...
“Sero sed serio”: so runs the Salisbury family motto on the carved coat-of-arms in the lavishly panelled and painted Marble Hall of Hatfield House...
Album: MC5 - Heavy Lifting
MC5 were the original proto-punkers who led the charge against wafty hippy music in the late Sixties and early Seventies. They were touted by...
A Raisin in the Sun, Lyric Hammersmith review - of race and...
Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also...