wed 06/08/2025

Boyd Tonkin

Articles By Boyd Tonkin

Stella Tillyard: The Great Level review – reason and passion in the Fens and Virginia

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Guy Stagg, The Crossway review – a gripping pilgrimage through faith and doubt

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Georges Simenon: The Krull House review – timely revival for a noir masterwork

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Listed: 10 classic tales of the city

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Katharine Kilalea: OK, Mr Field review - architecture and alienation on the Cape Town coast

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Un ballo in maschera, Grange Park Opera review – singing out against the American grain

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Così fan tutte, Opera Holland Park review - the pain behind the prettiness

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Amy Sackville: Painter to the King review - portrait of the artist in shadow and light

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Chineke!, Parnther, QEH review - a joyful re-building of the house

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Julian Barnes: The Only Story review - passion, pain and sorrow in Surrey

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Best of 2017: Books

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Nicholas Blincoe: Bethlehem - Biography of a Town review - too few wise men but remarkable women

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Javier Marías: Between Eternities review - matters of life and death from the Spanish master

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Orhan Pamuk: Istanbul, Memories and the City review – a masterpiece upgraded

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Roddy Doyle: Smile review - return of the repressed

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Prom 73 review: The Well-Tempered Clavier - Book 1, Schiff - glorious solo voyage across Bach's universe

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Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...