mon 13/05/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

The Rhinegold, English National Opera review - tacky, edgy, brilliant

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Jerusalem Quartet, Leonskaja, Wigmore Hall review - freedom and rigour in perfect balance

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Boris Giltburg, Wigmore Hall review - tonal beauty trumps subjective romantics

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LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroics

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Dmitri Alexeev, Leighton House review - shadows and light from a master pianist

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DVD: Babylon Berlin, Season Four

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Philharmonia, Hrůša, RFH review - total brilliance in Bartók, Dvořák and Strauss

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Tannhäuser, Royal Opera review - true goodness triumphs in the end

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Leonskaja, Staatskapelle Streichquartett, Wigmore Hall / Secret Byrd, St Martin-in-the-Fields review - genuine versus theatrical

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Jansen, LSO, Noseda, Barbican review - hearts of darkness

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Castalian String Quartet, Wigmore Hall review - genius in works and performance

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Lowe, The Mozartists, Page, Wigmore Hall - an education, not quite a triumph

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Least Like the Other, Irish National Opera, Linbury Theatre review - the harrowing of Rosemary Kennedy

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Faust, Tamestit, EBS, Gardiner, St Martin-in-the-Fields review - countless shades of brilliant

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Katya Kabanova, LSO, Rattle, Barbican review - living every bar of Janáček’s tragedy

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National Youth Orchestra, Bloch, Barbican review - blazing and surging odysseys

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latest in today

Coote, LSO, Tilson Thomas, Barbican review - the triumph of...

Programme notes for Mahler’s monumental symphonies will often blithely chat about the works’ epic struggle between life and death, creation and...

Conchúr White, St Pancras Old Church review - side-stepping...

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...

Rhod Gilbert, G-Live Guildford review - cancer, constipation...

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...

Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...

Album: Beth Gibbons - Lives Outgrown

It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008.  She has lived through so many...

Britten Sinfonia, The Marian Consort, Milton Court review -...

Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...

Music Reissues Weekly: Little Girls - Valley Songs

The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...

DVD/Blu-ray: The Holdovers

Glance at The Holdovers’ synopsis and you might suspect that...

Kingdom of the Planet of the Apes review - a post-human para...

Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...