fri 27/04/2018

David Nice

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Bio
David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he is a regular voice on BBC Radio 3. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs his own lecture series, Opera in Depth, at the Frontline Club in Paddington.

Articles By David Nice

Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'

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After the Rehearsal/Persona, Toneelgroep Amsterdam, Barbican - van Hove reconfigures Bergman

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Kuusisto, Philharmonia, Salonen, RFH review - Icelanders fare better than Sibelius

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Pogostkina, BBCSO, Oramo, Barbican review - human emotions in Sibelius's heaven

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Oedipe, LPO, Jurowski, RFH review - Enescu's masterpiece glorious and complete

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Wings, Young Vic review - Juliet Stevenson goes high and low

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Reger Cello Suites, Richard Harwood, Malling Abbey review - Bach with a dash of acid

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Stravinsky Ballets, LSO, Rattle, Barbican review - the big three burn with focused energy

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Senza Sangue/Bluebeard's Castle, Hackney Empire - uneven French-Hungarian mix

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Anne Applebaum: Red Famine review - hope around a heart of darkness

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La Bohème, Royal Opera review - spectacle and sentiment not yet in focus

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Prom 72 review: Vienna Philharmonic, Harding - uncertain Mahler Six partly redeemed by brass

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Follies, National Theatre review - Imelda Staunton equal first in stunning company

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Prom 70 review: Denk, BBCSO, Canellakis - high, lucid and bright

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Prom 63 review: Gerstein, BBCSO, Bychkov - total mastery of orchestral sound

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Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasies

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