thu 21/11/2024

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

RuPaul’s Drag Race UK vs the World Season 2, BBC Three review - fun, friendship and big talents

Read more...

Bach St John Passion, Dublin Bach Singers, Marlborough Baroque Orchestra, Murphy, St Ann's Church, Dublin - choral fire

Read more...

WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else

Read more...

Salome, Irish National Opera review - imaginatively charted journey to the abyss

Read more...

Esther, London Handel Festival, St George’s Hanover Square review - a lopsided celebratory oratorio

Read more...

Jenůfa, English National Opera review - searing new cast in precise revival

Read more...

Giant, Linbury Theatre review - a vision fully realised

Read more...

Murray, Vlaams Radiokor, LPO, Gardner, RFH review - visual ‘interpretation’ blunts sonic brilliance in Szymanowski rarity

Read more...

The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act best

Read more...

Gerstein, LSO, Rattle, Barbican review - American glitter and sinew

Read more...

The Creation, Alder, Clayton, Mofidian, LPO, Gardner, RFH review - dancing gay in green meadows

Read more...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - fluency, fire and some jaw-dropping solos

Read more...

'Migrations' String Quartet Weekend, National Concert Hall, Dublin review - memorials and masterpieces

Read more...

Sánchez, National Symphony Orchestra, Martín, National Concert Hall, Dublin review - Spanish panache

Read more...

Turning the Screw, King’s Head Theatre review - Britten and the not-so-innocent

Read more...

Alder, RPO, Petrenko, RFH review - strings and soprano sing their hearts out

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: FaithNYC - Love is a Wish Away

FaithNYC is a vehicle for the singer and songwriter Felice Rosser, an original rooted in reggae...

Perianes, Orchestre Symphonique de Montréal, Payare, Barbica...

When the Venezuelan Rafael Payare was appointed as conductor of the Orchestre Symphonique...

English Teacher, Queen Margaret Union, Glasgow review - Merc...

Props designed like flowers were scattered across the QMU stage for English Teacher's performance. A fitting choice given the Leeds group are...

Kemah Bob, Soho Theatre review - Thailand, massage and menta...

Kemah Bob is a regular on television and radio panel shows and well established on the comedy circuit, but Miss Fortunate is her full-...

[title of show], Southwark Playhouse review - two guys and t...

Not just a backstage musical, a backroom musical!

In the...

Album: Father John Misty - Mahashmashana

The word “mahashmashana” – महामशान in Sanskrit – translates as “great burying ground.” Co-opted as the title of Josh Tillman’s sixth album as...

La Serenissima, Wigmore Hall review - an Italian menu to sav...

For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no...

Jon Fosse: Morning and Evening review - after thoughts

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama,...

Roman Rabinovich, Wigmore Hall review - full tone in four st...

Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand...