fri 26/04/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Handel for the King, Le Concert Spirituel, Niquet, Wigmore Hall at St James's Spanish Place review - post-coronation celebrations

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Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

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Jerusalem Quartet, Wigmore Hall review - singing to make the heart leap

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Douglas, Estonian NSO, Elts, Cadogan Hall review - perfect ebb and flow from conductor and pianist

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theartsdesk at the Sheffield Chamber Music Festival - romps and meditations at the highest level

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Wozzeck, Royal Opera review - orchestral and visual beauty salve human misery at its most extreme

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Pavel Kolesnikov, Samson Tsoy, QEH review - piano magicians conduct themselves beautifully

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Ghosts, Abbey Theatre, Dublin review - creating tension from desolation

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Bartlett, National Symphony Orchestra, Weilerstein, National Concert Hall, Dublin review - edgy darkness, blazing light and high camp

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Castalian String Quartet, Wigmore Hall review - late Britten keeps equally demanding company

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LPO, Jurowski, RFH / LSO, BBC Singers, Rattle, Barbican review - spiderwebs, sublimity and a powerful speech

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Blue, English National Opera review - the company’s boldest vindication yet?

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Innocence, Royal Opera review - timely, layered drama with almost incidental music

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National Youth Orchestra, Gourlay, RFH review - non-stop jamboree at the highest level

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Life is a Dream, Cheek by Jowl, Barbican Theatre review - savouring the Spanish of a singular masterpiece

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Belcea Quartet, Chamayou, Wigmore Hall review - romantic winged beast soars over neobaroque chameleon

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latest in today

Album: St Vincent - All Born Screaming

The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the...

Album: St Vincent - All Born Screaming

The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the...

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...