sat 14/06/2025

Hannah Hutchings-Georgiou

Articles By Hannah Hutchings-Georgiou

Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology

Read more...

'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'

Read more...

Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil

Read more...

Matter as Actor, Lisson Gallery review - living in a material world

Read more...

Seraphina Madsen: Aurora review - the tarot won’t save us

Read more...

Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed

Read more...

Sonia Boyce: Feeling Her Way, Turner Contemporary review - a feedback loop of musical union

Read more...

10 Questions for writer and translator Saskia Vogel

Read more...

Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal

Read more...

Amalie Smith: Thread Ripper review - the tangled web we weave

Read more...

10 Questions for art historian and fiction writer Chloë Ashby

Read more...

Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online

Read more...

Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994

Read more...

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...

It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...

Hespèrion XXI, Savall, QEH review - an evening filled with l...

For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...