Hannah Hutchings-Georgiou

Articles By Hannah Hutchings-Georgiou

Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology Monday, 08 January 2024 Read more...	'The people behind the postcards': an interview with Priya Hein, author of 'Riambel' Tuesday, 03 October 2023 Read more...
Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil Thursday, 03 August 2023 Read more...	Matter as Actor, Lisson Gallery review - living in a material world Friday, 09 June 2023 Read more...
Seraphina Madsen: Aurora review - the tarot won’t save us Tuesday, 28 March 2023 Read more...	Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed Saturday, 25 March 2023 Read more...
Sonia Boyce: Feeling Her Way, Turner Contemporary review - a feedback loop of musical union Saturday, 18 February 2023 Read more...	10 Questions for writer and translator Saskia Vogel Wednesday, 21 December 2022 Read more...
Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal Thursday, 29 September 2022 Read more...	Amalie Smith: Thread Ripper review - the tangled web we weave Wednesday, 03 August 2022 Read more...
10 Questions for art historian and fiction writer Chloë Ashby Saturday, 11 June 2022 Read more...	Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online Wednesday, 11 May 2022 Read more...
Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994 Thursday, 14 April 2022 Read more...

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Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...