sun 18/05/2025

Hannah Hutchings-Georgiou

Articles By Hannah Hutchings-Georgiou

Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology

Read more...

'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'

Read more...

Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil

Read more...

Matter as Actor, Lisson Gallery review - living in a material world

Read more...

Seraphina Madsen: Aurora review - the tarot won’t save us

Read more...

Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed

Read more...

Sonia Boyce: Feeling Her Way, Turner Contemporary review - a feedback loop of musical union

Read more...

10 Questions for writer and translator Saskia Vogel

Read more...

Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal

Read more...

Amalie Smith: Thread Ripper review - the tangled web we weave

Read more...

10 Questions for art historian and fiction writer Chloë Ashby

Read more...

Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online

Read more...

Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994

Read more...

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

The Great Escape Festival 2025, Brighton review - a dip into...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...