wed 24/07/2024

Hannah Hutchings-Georgiou

Articles By Hannah Hutchings-Georgiou

Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology

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'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'

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Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil

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Matter as Actor, Lisson Gallery review - living in a material world

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Seraphina Madsen: Aurora review - the tarot won’t save us

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Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed

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Sonia Boyce: Feeling Her Way, Turner Contemporary review - a feedback loop of musical union

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10 Questions for writer and translator Saskia Vogel

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Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal

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Amalie Smith: Thread Ripper review - the tangled web we weave

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10 Questions for art historian and fiction writer Chloë Ashby

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Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online

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Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994

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10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera - Puccini in biographical...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...

Album: The Very Things GXL - Mr Arc-Eye (Under a Cellophane...

Back in the mid-80s, a group of lads from Worcestershire, who’d previously been known as the Cravats, were putting an exceedingly strange spin on...

Prom 5, BBC National Orchestra of Wales, Bancroft review - a...

This looked like a classic Prom in the grand old BBC tradition: two big but lesser-known pieces by pivotal figures (Schoenberg and Zemlinsky)...

Madeleine Peyroux, Barbican review - a transport of delight

You can take the woman out of the Left Bank, but you can’t take the Left Bank out of the woman. Madeleine Peyroux would be perfectly at home in a...

Red Speedo, Orange Tree Theatre review - two versions of Ame...

Before Lucas Hnath wrote Red Speedo, he had heard a 2004 speech at a hearing investigating baseball doping that declared the...

Album: Kevin Fowley - À Feu Doux

“Ne pleure pas, Jeannette” is a version of the 15th-century French song "La pernette se lève." It tells the story of Jeannette, whose parents want...

In a Violent Nature review - inverted slasher is fascinating...

A group of young people rent a cabin in the woods. A masked killer lingers nearby. Surely you know how the rest unfolds. The...

Music Reissues Weekly: Barry Ryan - The Albums 1969-1979

In April 1985, The Damned’s Dave Vanian was speaking with Janice Long on her BBC Radio 1 show. He said “Barry Ryan and Paul Ryan have been sadly...

ECHO, LIFT 2024, Royal Court review - enriching journey into...

The Iranian playwright Nassim Soleimanpour is many things, some seemingly contradictory: a) a clever, poetic playwright who uses high-...