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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Friday, 09 February 2024 Read more...

The Settlers review - a western populated only by anti-heroes

Friday, 09 February 2024 Read more...

Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

Tuesday, 06 February 2024 Read more...

Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

Monday, 05 February 2024 Read more...

The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

Friday, 12 January 2024 Read more...

Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

Friday, 01 December 2023 Read more...

Women in Revolt!, Tate Britain review - a super important if overwhelming show

Friday, 10 November 2023 Read more...

A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

Monday, 06 November 2023 Read more...

Beyond Utopia review - harrowing escape stories vividly captured with live footage

Tuesday, 31 October 2023 Read more...

El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

Wednesday, 25 October 2023 Read more...

RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

Thursday, 19 October 2023 Read more...

Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

Tuesday, 17 October 2023 Read more...

Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

Tuesday, 10 October 2023 Read more...

Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

Thursday, 05 October 2023 Read more...

Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

Monday, 02 October 2023 Read more...

The Nettle Dress review - a moving story exquisitely told

Monday, 25 September 2023 Read more...

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A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Ora...

My final visit to the Proms for this year was a Sunday double-...

Honey Don’t! review - film noir in the bright sun

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms...

Blu-ray: The Sweeney - Series One

You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having...

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern,...

VINYL OF THE MONTH

Black Lips Season of the Peach (Fire)

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Blondshell, Queen Margaret Union, Glasgow review - woozy roc...

There is such nonchalance with Sabrina Teitelbaum that even her appeals to the crowd appeared laid-back. At points during her set the Los Angeles...

Ganavya, Barbican review - low-key spirituality

At the start or her show, the white-robed singer Ganavya does something unusual: while other performers usually warm their audience up before...

Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Ye...

Chiswick Records 1975-1982 - Seven Years at 45 RPM is a triple album marking the 50th anniversary of the first release...