Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
The Duchess [of Malfi], Trafalgar Theatre review - actors im...
John Webster’s sour, bloody tale of brotherly greed and vice has been updated by the playwright Zinnie Harris, who also directs her own...
London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy,...
Queer
William Burroughs’ eponymous novel was nearly...
Christian Gerhaher, Gerold Huber, Sheldonian Theatre, Oxford...
Christian Gerhaher, the most compelling and complete interpreter of German...
What We Talk About When We Talk About Anne Frank, Marylebone...
An incendiary play has opened at the Marylebone, the adventurous venue just off Baker Street. Bigger houses were apparently unwilling...
The Apprentice review - from chump to Trump
It’s common to say that Shakespeare would have liked such-and-such a modern story, but I think he actually might have gone for this one. The Bard’...
Land of the Free, Southwark Playhouse review - John Wilkes B...
Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed,...
Oedipus, Wyndham's Theatre review - careful what you wi...
How many times does a politician survive wave after wave of attack from rivals, surf the waves of fickle voters and tiptoe around every policy...
The Crime Is Mine review - entertaining froth from a crack c...
For his latest pick’n’mix sortie into the world of the women’s picture,...
Knife on the Table, Cockpit Theatre review - gangsters grim,...
There’s a moment in writer/co-director, Jonathan Brown’s,...