thu 07/08/2025

Sebastian Scotney

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Articles By Sebastian Scotney

Joshua Redman Still Dreaming, Barbican review - world-class quartet

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Sarah Chang, Ashley Wass, Cadogan Hall review – a virtuoso's disturbing 'inner game'

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theartsdesk Q&A: concert pianist Lucy Parham

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Merry Christmas Baby - Gregory Porter & Friends, BBC Two review - mellow becomes slo-mo

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Albums of the Year 2018: Fiona Monbet - Contrebande

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Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard masters

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EFG London Jazz Festival 2018, round-up review - winners young and old

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EFG London Jazz Festival, first weekend review - Jeff Goldblum a jazz musician?

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LSO, Roth, Barbican - not enough pathos, but a remarkable step-in

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They Might Be Giants, Barbican review - genuine, authentic humour

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LSO, Rattle, Barbican Hall review - a mixed bag of British composers

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Prom 39, West Side Story, Wilson review - best heard on the radio

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Proms 29 / 30, Swedish Chamber Orchestra, Dausgaard review - Bach Brandenburgs and beyond

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Paul Simon, BST Hyde Park review - still sprightly after 76 years

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Eric Clapton, Carlos Santana and Steve Winwood, BST Hyde Park review - the Clapton faithful in their droves

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Falstaff, Garsington Opera review - Sir John under pressure

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NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

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The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...