fri 21/03/2025

Sebastian Scotney

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Articles By Sebastian Scotney

The Adulterer, Channel 4 review - atmospheric, addictive and bingeworthy

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Album: Maria Schneider Orchestra – Data Lords

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Album: Norah Jones – Pick Me Up Off the Floor

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Album: John Scofield, Steve Swallow, Bill Stewart - Swallow Tales

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Jazz musicians adapt to the lockdown - 'Welcome to our world!'

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Daniel Sepec, Tabea Zimmermann, Jean-Guihen Queyras, Wigmore Hall review - the viola is a star

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Max Raabe, Palast-Orchester, Cadogan Hall review - escapism with irony

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Sam Lee, EartH Hackney - capturing the spirit of the moment

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Album: Pat Metheny – From This Place

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Ermonela Jaho, Stephen Maughan, Wigmore Hall review – emotional honesty in rare repertoire

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Album: Ruby Turner – Love Was Here

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theartsdesk in Brussels - jazz, openness and youth at the start of the cultural year

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Albums of the Year 2019: Mark Turner Meets Gary Foster

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Robbie Williams, Wembley Arena review - 12,000 people having a bawl

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Darius Brubeck, Jazz Café review – a touching celebration of 'Time Out' at 60

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Dido, Maida Vale Studios review - old hits bring unresolved irony

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: The Horrors - Night Life

For fans of The Horrors, the headline here is that, 20 years into the career, for their sixth album, the band have lost two of their founding...

theartsdesk Q&A: director François Ozon on 'When Au...

François Ozon is France’s master of sly secrets, burying hard truths in often dazzling surfaces, from Swimming Pool’s erotic mystery of...

The Alto Knights review - double dose of De Niro doesn'...

The power struggle between New York crime bosses Vito Genovese and Frank Costello is one of the foundational stories of the American Mafia, though...

Il trionfo del Tempo e del Disinganno, Irish Baroque Orchest...

Imagine if Bach had set Cardinal Benedetto Pamphili’s allegory of Beauty breaking free from Pleasure with the guidance of Time and Enlightenment:...

Mercury Rev, Islington Assembly Hall review - the august US...

The body language fascinates. Mercury Rev’s frontman Jonathan Donahue could be playing a theramin. The arm movements fit the bill, yet the...

Santosh review - powerful study of prejudice and police corr...

Held up by the censors in India though screened at Cannes and nominated for an International Oscar, Sandhya Suri’s 2024 film ...

Romeo and Juliet, Royal Ballet review - Shakespeare without...

1965 was a year of change in Britain. It saw the abolition of the death penalty and the arrival of the Race Relations Act. It was the year of the...

Lizz Wright, Barbican review - sweet inspiration

Lizz Wright’s exquisite singing breaks all boundaries between soul, gospel and jazz. In so doing she channels many interwoven strands of the...

Wardruna, Symphony Hall, Birmingham review - Einar Selvik...

Wardruna are something of a modern musical phenomenon. Part Scandinavian folk revival, part prog rock epic and part pagan ritual, their wide-...