Visual Arts Features
theartsdesk in Basel: More than MinimalismSunday, 20 April 2014
In a near-perfect, outward-looking Swiss city sharing borders with France and Germany, on a series of cloudless April days that felt more like balmy June than capricious April, anything seemed possible. Read more... |
Alan Davie, 1920-2014Monday, 07 April 2014
Alan Davie, who died on Saturday aged 93, was one of the great 20th-century British artists, a life-long maverick whose explosive canvases cut a swathe through the provincial aridity of the postwar art scene. Read more... |
theartsdesk in Calais: Monument, Musée des Beaux-ArtsSunday, 30 March 2014
Were it not for the bombs which rained down on Calais, its current Musée des Beaux-Arts would not exist. The 1966 building was part of a civic reconstruction programme, so it too is a war memorial of sorts. And it's now playing host to an exhibition dedicated to the idea of the monument which looks to commemorate the two world wars. Read more... |
theartsdesk in Bilbao: Yoko Ono at the Guggenheim MuseumSunday, 16 March 2014
Addressing a crowd of journalists gathered at the press launch of her major retrospective at the Guggenheim Bilbao, Yoko Ono begins by telling us how cynical she is. It’s quite a claim considering it’s just about the last thing you’d ever think to call her. Perhaps she’s finally tired of being dismissed as a naive idealist. Read more... |
Remembering Derek JarmanSunday, 16 March 2014
It was very odd, in January this year, to see that Super-8 camera of Derek’s in a glass case and a few open notebooks in his beautiful italic handwriting in some other glass cases in the same room. There were five or six small-scale projections from his films in other rooms, including The Last of England, and some art works, but, somehow, Derek wasn’t there at all for me. Read more... |
theartsdesk at the Marrakech Biennale: "Where Are We Now?"Wednesday, 05 March 2014
Whether fingerprint or labyrinth, the swirly logo for Marrakech Biennale 5 feels apt. The festival has left its mark upon the city. It questions Moroccan notions of identity. And, going by the tagline, “Where are we now?” it reflects the ease with which you can get lost in this rich and bewildering land. Read more... |
Listed: The Vikings - Life and LegendTuesday, 04 March 2014
The British Museum's exhibition The Vikings: Life and Legend promises to redefine the Viking age for a new generation. First seen at the National Mueum in Copenhagen, it has now travelled - much as the show's subjects once did - across the North Sea. It includes objects from 25 lending institutions spread across nine countries - 10 if you include Scotland, whose national law requires export licence. Read more... |
Listed: 10 American paintings before PollockSunday, 16 February 2014
The National Gallery recently embarked on a first: they acquired their first American painting. Men of the Docks, 1912, (main picture) may not be George Bellows’ most famous or best-regarded work; nonetheless, it’s a gritty and beautifully observed slice of New York life among the city’s dockside workers. Read more... |
theartsdesk in the Shetlands: Seasick VikingsSunday, 16 February 2014
“Would we be able to prosecute the Vikings today, should we? I mean are there parallels between what the Nazis did by plundering art and gold, or what the German soldiers did who raped Norwegian women when they occupied Norway?” Silke Roeploeg might perhaps fit the Viking caricature: tall, blonde, physically fit, ruddy weathered cheeks, and smart. She is however German, and a lecturer on the Highland and Islands Nordic studies, which includes a component on Vikings. Read more... |
theartsdesk in Sydney: Upside Down UnderSunday, 26 January 2014
Sydney has a nervous tic. People think Australians are brash and bolshy but that's not true. There's a deep sense of ingrained anxiety here. That anxiety comes from being at the edge of the world, a long way from Europe and in an unfamiliar and unrelenting land. It has been expressed through the art of Australia for 200 years. Today the country and its biggest city are both more confident, so the anxiety expresses itself in subtler ways. Read more... |
Pages
latest in today
Kin, BBC One review - in Dublin's not-so-fair city
Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’...
Rodelinda, The English Concert, Bicket, Saffron Hall review...
If ever a marriage was made in heaven, it would have to be the one between Lucy Crowe’s beleaguered Queen Rodelinda and Iestyn Davies’ King...
Dreaming and Drowning, Bush Theatre - dense and intense mono...
Kwame Owusu’s 55-minute one-hander does...
Infinite Life, National Theatre review - beguiling new comed...
A sun deck with seven pale-green padded loungers is the latest setting for the latest...
£1 Thursdays, Finborough Theatre review - dazzling new play...
It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for...
First Person: Natalia Franklin Pierce, Executive Director of...
Despite my double-barrelled surname (my parents weren't married when I was born – so I was given both their names), a career within contemporary...
Album: Neil Young - Before and After
Down memory lane, taking us back some six decades to the Buffalo Springfield, the latest Neil Young album's almost 50 minutes of continuous music...
Music Reissues Weekly: Myriam Gendron - Not So Deep As A Wel...
Myriam Gendron's debut album Not So Deep As A Well was originally released in 2014 by Feeding Tube, a US label run by...
Powell and Pressburger: In Prospero's Room
There’s a thread of bright magic running through British...
Eileen review - a dank fairytale film noir
As the title character in Eileen, set in a miserable Massachusetts backwater in the days before Christmas 1964, Thomasin McKenzie plays a...