thu 29/09/2022

Visual Arts Features

10 Questions for art historian and fiction writer Chloë Ashby

Hannah Hutching

“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut novel, Wet Paint, asks this question standing in front of Édouard Manet’s painting "A Bar at the Folies-Bergère" (1882). Yet she could easily be asking herself the same question.

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Venice Biennale 2022 review - The Milk of Dreams Part 1: The Giardini

Mark Hudson

Cecelia Alemani's vision for The Milk of Dreams, the International Exhibition at the Venice Biennale 2022 had me excited – and perplexed – from the moment I heard about it.

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'A nun destroyed my tent': artist Kate Daudy talks about NFTs, refugees, and having her work thrown out with the trash

Jessica Baldwin

It’s been a turbulent week for British artist Kate Daudy. Am I My Brother’s Keeper, her refugee tent (main picture), the art installation and seminal work that propelled her to international fame is gone, thrown out with the trash.

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'Of course art doesn't change the world': Situationist artist Jacqueline de Jong on violence, eroticism and the importance of humour

Mark Sheerin

Jacqueline de Jong doesn’t want to talk politics. But this should have been foreseeable. After all, she has travelled to Mostyn, in Llandudno, for her first solo exhibition in a UK art institution. And this is a painting show, not a political rally.

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Christo (1935-2020) - 'Beauty, science and art will always triumph'

Florence Hallett

The death of Christo, aged 84, was announced on Sunday, marking the end of a visionary and flamboyant artistic career.

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Visual Arts Lockdown Special 2: read, search, listen, create

Katherine Waters

Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms.

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Visual Arts Lockdown Special 1: DIY art, Russell Tovey's chat show, and guided tours online

Florence Hallett

As the art world adjusts to our new reality, social media has allowed galleries and museums to remain open in spirit at least.

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Foragers of the Foreshore - London's mudlarks on show

Adrian Evans

Over the weekend, exhibitions and installations have started to bubble-up on the riverside walkway in London. Still-life photography of mudlark finds and a "scented history" of Barking Creek outside the National Theatre. Artwork from a dozen national and international river cities at the Royal Docks. An installation of 550 jerry cans at the Oxo Tower.

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theartsdesk in Treviso - cultural patronage, Italian style

David Nice

Fortunate those Italian towns and cities whose Renaissance rulers looked to the arts to enrich their domain. Now neglect of cultural heritage can be laid at the doors of successive governments, but regional enlightenment can make a difference even in the era of Salvini.

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First Person: Robert Hollingworth on I Fagiolini's 'Leonardo - Shaping the Invisible'

Robert Hollingworth

Leonardo da Vinci died 500 years ago on 2 May this year. We all know he was a painter, sculptor, architect, engineer, pioneer of flight and anatomist – yet according to Vasari, Leonardo’s first job outside Florence was as a result of his musical talents.

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