Katherine Waters

Articles By Katherine Waters

Visual Arts Lockdown Special 4: half-way houses Wednesday, 01 July 2020 Read more...	Tahar Ben Jelloun: The Punishment review - triumph over torture Sunday, 28 June 2020 Read more...
Visual Arts Lockdown Special 2: read, search, listen, create Tuesday, 05 May 2020 Read more...	Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception Tuesday, 03 March 2020 Read more...
Dora Maar, Tate Modern review - how women disappear Wednesday, 27 November 2019 Read more...	Measure for Measure, RSC, Barbican review - behind the times Tuesday, 19 November 2019 Read more...
Craig David, BBC Radio 2 review - what's your flava? Saturday, 16 November 2019 Read more...	Charlotte Salomon: Life? or Theatre?, Jewish Museum London review - rallying against death Friday, 15 November 2019 Read more...
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight? Saturday, 09 November 2019 Read more...	Little Simz, EartH review - bossing it Wednesday, 30 October 2019 Read more...
George Stubbs: 'all done from Nature', MK Gallery review - a glorious menagerie Tuesday, 29 October 2019 Read more...	Hogarth: Place and Progress, Sir John Soane’s Museum review - state of the nation Thursday, 24 October 2019 Read more...
Shuck 'n' Jive, Soho Theatre review - a mixed bag, lots of promise Tuesday, 08 October 2019 Read more...	William Blake, Tate Britain - sympathy for the rebel Sunday, 29 September 2019 Read more...
Van Gogh’s Inner Circle, Noordbrabants Museum review - the man behind the art Thursday, 26 September 2019 Read more...	Peter Doig, Michael Werner review - ambiguous and excellent Wednesday, 25 September 2019 Read more...

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Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...

It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...