thu 19/09/2019

Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk

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Anahera, Finborough Theatre review - blistering family drama from New Zealand

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Peaches, Royal Festival Hall review - blissful anarchy

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Barber Shop Chronicles, Roundhouse review - riotous theatre at its best

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Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people

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Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish

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Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above

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Napoli, Brooklyn, Park Theatre review - lacking substance

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Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

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Frank Bowling, Tate Britain review - a marvel

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Manga, British Museum review - stories for outsiders

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Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx

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58th Venice Biennale review - confrontational, controversial, principled

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Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal

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Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives

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Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

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Ad Astra review – out of this world

There have been a number of excellent science fiction films of late – ...

Kolesnikov, Britten-Shostakovich Festival Orchestra, Latham-...

Celebrating the friendship between the two great 20th-century composers, the...

CD: Liam Gallagher - Why Me? Why Not.

Liam Gallagher's 2017 solo debut, As You Were, took everybody by surprise. Not only did it show Gallagher Jnr...

Werther, Royal Opera review - shadows and sunsets from an un...

Goethe’s Die Leiden des junges Werthers (The Sorrows of Young Werther) was a vital spark in the ignition of the German romantic...

The Kitchen review – more gangsters' molls taking over...

Three women decide to take over their husbands’ criminal...

Big the Musical - sweet if wildly overstretched

The work isn't finished on Big, if this stage musical...

Defending the Guilty, BBC Two review - trials and tribulatio...

This new legal comedy is based on a well-received book...

Faith, Hope & Charity, National Theatre review - a grim...

Alexander Zeldin continues his devastating analysis of modern Britain in this culminating play of a (very loose) trilogy that started with...

Love in the Countryside, BBC Two review - reaping a harvest...

If you’re a farmer who works round the clock to feed sheep, milk cows and so forth, how on earth do you make time to find a partner and reap a...