wed 17/07/2019

Katherine Waters

Articles By Katherine Waters

Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish

Read more...

Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above

Read more...

Napoli, Brooklyn, Park Theatre review - lacking substance

Read more...

Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

Read more...

Frank Bowling, Tate Britain review - a marvel

Read more...

Manga, British Museum review - stories for outsiders

Read more...

Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx

Read more...

58th Venice Biennale review - confrontational, controversial, principled

Read more...

Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal

Read more...

Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives

Read more...

Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

Read more...

Rodrigo y Gabriela, Roundhouse - sound and (new) noise

Read more...

Banine: Days in the Caucasus review - revolutions, pogroms and love

Read more...

Climate Change: The Facts, BBC One review - how much reality can humankind bear?

Read more...

My Enemy's Cherry Tree: Wang Ting-Kuo review - a masterpiece from Taiwan

Read more...

Mary Quant, Victoria & Albert Museum review - quantities of Quant

Read more...

Pages

latest in today

k.d.lang, Brighton Dome review - superb revival of classic a...

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d.lang’s Ingénue had when it was released in 1992....

CD: The Flaming Lips – King’s Head

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and...

The Night of the Iguana, Noël Coward Theatre review - Clive...

One of the glories of contemporary London theatre is its revivals of classic American drama. Year after year, audiences are able to revisit and...

The Day We Walked on the Moon, ITV review - it was 50 years...

It was on 16 July 1969 that Apollo 11 lifted off from Florida en route for the Moon, and exactly 50 years later, as we nervously anticipate the...

Inside the Social Network: Facebook's Difficult Year, B...

Not everybody is on Facebook, yet. So far, Mark Zuckerberg’s social media monolith has only managed to scrape together about 2.3 billion users,...

Equus, Trafalgar Studios review - passionate intensity

When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about “moments of experience” being...

Elbow and New Order, Lucca Summer Festival review – a meetin...

Thirty-three years ago, at Manchester's Festival of the Tenth Summer, I fumed that New Order had been given top billing over The...

Whitewash, Soho Theatre review - a wild-at-heart linguistic...

This witty street-smart play about a white-skinned...

CD: Sum 41 - Order In Decline

Sum 41 were one of those light-weight punk-ish bands in unfeasibly...