Katherine Waters

Articles By Katherine Waters

Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives Sunday, 23 September 2018 Read more...	I object, British Museum review - censorship, accidental? Saturday, 22 September 2018 Read more...
The Human Voice, Gate Theatre review - unrelenting and sad Wednesday, 19 September 2018 Read more...	Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature Sunday, 09 September 2018 Read more...
Annie Ernaux: The Years, review - time’s flow Sunday, 05 August 2018 Read more...	Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven Wednesday, 01 August 2018 Read more...
Rachel Heng: Suicide Club review - skin-deep dystopia Sunday, 29 July 2018 Read more...	The Jungle, Playhouse Theatre review - new territory Saturday, 07 July 2018 Read more...
Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything Tuesday, 03 July 2018 Read more...	Sarah Langford: In Your Defence review - messy lives Sunday, 24 June 2018 Read more...
Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors Friday, 22 June 2018 Read more...	The London Mastaba, Serpentine Galleries review - good news for ducks? Thursday, 21 June 2018 Read more...
Natural World: The Super Squirrels, BBC Two review - silliness and facts Wednesday, 20 June 2018 Read more...	Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment Friday, 08 June 2018 Read more...
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind Tuesday, 05 June 2018 Read more...	Break of Noon, Finborough Theatre review - irredeemable? Tuesday, 29 May 2018 Read more...

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Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Superman review - America's ultimate immigrant

A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...