Katherine Waters

Articles By Katherine Waters

Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives Sunday, 23 September 2018 Read more...	I object, British Museum review - censorship, accidental? Saturday, 22 September 2018 Read more...
The Human Voice, Gate Theatre review - unrelenting and sad Wednesday, 19 September 2018 Read more...	Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature Sunday, 09 September 2018 Read more...
Annie Ernaux: The Years, review - time’s flow Sunday, 05 August 2018 Read more...	Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven Wednesday, 01 August 2018 Read more...
Rachel Heng: Suicide Club review - skin-deep dystopia Sunday, 29 July 2018 Read more...	The Jungle, Playhouse Theatre review - new territory Saturday, 07 July 2018 Read more...
Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything Tuesday, 03 July 2018 Read more...	Sarah Langford: In Your Defence review - messy lives Sunday, 24 June 2018 Read more...
Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors Friday, 22 June 2018 Read more...	The London Mastaba, Serpentine Galleries review - good news for ducks? Thursday, 21 June 2018 Read more...
Natural World: The Super Squirrels, BBC Two review - silliness and facts Wednesday, 20 June 2018 Read more...	Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment Friday, 08 June 2018 Read more...
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind Tuesday, 05 June 2018 Read more...	Break of Noon, Finborough Theatre review - irredeemable? Tuesday, 29 May 2018 Read more...

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Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...