mon 19/05/2025

Katherine Waters

Articles By Katherine Waters

Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives

Read more...

I object, British Museum review - censorship, accidental?

Read more...

The Human Voice, Gate Theatre review - unrelenting and sad

Read more...

Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature

Read more...

Annie Ernaux: The Years, review - time’s flow

Read more...

Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven

Read more...

Rachel Heng: Suicide Club review - skin-deep dystopia

Read more...

The Jungle, Playhouse Theatre review - new territory

Read more...

Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything

Read more...

Sarah Langford: In Your Defence review - messy lives

Read more...

Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors

Read more...

The London Mastaba, Serpentine Galleries review - good news for ducks?

Read more...

Natural World: The Super Squirrels, BBC Two review - silliness and facts

Read more...

Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment

Read more...

Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

Read more...

Break of Noon, Finborough Theatre review - irredeemable?

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during “Tell it Back to me.” The album’s eight songs do not, however, necessarily say what Forster...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

The Great Escape Festival 2025, Brighton review - a dip into...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...