Katherine Waters

Articles By Katherine Waters

Bruno Maçães: The Dawn of Eurasia review - middle of nowhere Sunday, 21 January 2018 Read more...	Lumiere London review - London in a different light Saturday, 20 January 2018 Read more...
Art UK, Art of the Nation review - public art in a private space Wednesday, 17 January 2018 Read more...	The Nutcracker, English National Ballet review - a thoroughly enchanting performance Thursday, 14 December 2017 Read more...
Blue Planet II, BBC One review - just how fragile? Monday, 11 December 2017 Read more...	Rachel Hewitt: A Revolution of Feeling review - from passions to emotions Sunday, 10 December 2017 Read more...
The Melting Pot, Finborough Theatre review - entertaining morals Thursday, 07 December 2017 Read more...	Modigliani, Tate Modern review - the pitfalls of excess Friday, 24 November 2017 Read more...
The Best of AA Gill review - posthumous words collected Sunday, 12 November 2017 Read more...	Mother Courage, Southwark Playhouse review - this production is not one for our times Thursday, 09 November 2017 Read more...
Han Kang: The White Book review - between what is, what was, what might have been Sunday, 05 November 2017 Read more...	Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent Wednesday, 01 November 2017 Read more...
Philip Pullman: La Belle Sauvage review - not quite equal Sunday, 22 October 2017 Read more...	David Bomberg, Pallant House Gallery, Chichester review - a reputation restored Saturday, 21 October 2017 Read more...
The End of Hope, Soho Theatre review - initially bold but not quite enough Thursday, 19 October 2017 Read more...	Young Reviewer of the Year Award Winner: Katherine Waters on Marc Quinn Wednesday, 04 October 2017 Read more...

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Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...
The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...
There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies
For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...
Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...
Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale
Conceived and written by Matt Charman, whose CV...