Katherine Waters

Articles By Katherine Waters

Bruno Maçães: The Dawn of Eurasia review - middle of nowhere Sunday, 21 January 2018 Read more...	Lumiere London review - London in a different light Saturday, 20 January 2018 Read more...
Art UK, Art of the Nation review - public art in a private space Wednesday, 17 January 2018 Read more...	The Nutcracker, English National Ballet review - a thoroughly enchanting performance Thursday, 14 December 2017 Read more...
Blue Planet II, BBC One review - just how fragile? Monday, 11 December 2017 Read more...	Rachel Hewitt: A Revolution of Feeling review - from passions to emotions Sunday, 10 December 2017 Read more...
The Melting Pot, Finborough Theatre review - entertaining morals Thursday, 07 December 2017 Read more...	Modigliani, Tate Modern review - the pitfalls of excess Friday, 24 November 2017 Read more...
The Best of AA Gill review - posthumous words collected Sunday, 12 November 2017 Read more...	Mother Courage, Southwark Playhouse review - this production is not one for our times Thursday, 09 November 2017 Read more...
Han Kang: The White Book review - between what is, what was, what might have been Sunday, 05 November 2017 Read more...	Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent Wednesday, 01 November 2017 Read more...
Philip Pullman: La Belle Sauvage review - not quite equal Sunday, 22 October 2017 Read more...	David Bomberg, Pallant House Gallery, Chichester review - a reputation restored Saturday, 21 October 2017 Read more...
The End of Hope, Soho Theatre review - initially bold but not quite enough Thursday, 19 October 2017 Read more...	Young Reviewer of the Year Award Winner: Katherine Waters on Marc Quinn Wednesday, 04 October 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's
People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...
If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour
Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous
“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...
In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...
The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...