wed 08/05/2024

Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk

Read more...

Anahera, Finborough Theatre review - blistering family drama from New Zealand

Read more...

Peaches, Royal Festival Hall review - blissful anarchy

Read more...

Barber Shop Chronicles, Roundhouse review - riotous theatre at its best

Read more...

Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people

Read more...

Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish

Read more...

Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above

Read more...

Napoli, Brooklyn, Park Theatre review - lacking substance

Read more...

Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

Read more...

Frank Bowling, Tate Britain review - a marvel

Read more...

Manga, British Museum review - stories for outsiders

Read more...

Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx

Read more...

58th Venice Biennale review - confrontational, controversial, principled

Read more...

Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal

Read more...

Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives

Read more...

Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

Read more...

Pages

latest in today

Album: Bab L'Bluz - Swaken

Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...

Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...

Album: Pokey LaFarge - Rhumba Country

Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...

L'Olimpiade, Irish National Opera review - Vivaldi...

In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...

Red Eye, ITV review - Anglo-Chinese relations tested in junk...

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...

Album: Josienne Clarke - Parenthesis, I

Parentheses, I is an album title  (I) – that’s a hieroglyph of the self, the brackets like...

Music Reissues Weekly: West Coast Consortium - All The Love...

West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...

Love Lies Bleeding review - a pumped-up neo-noir

Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...