Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk Saturday, 14 September 2019 Read more...	Anahera, Finborough Theatre review - blistering family drama from New Zealand Saturday, 07 September 2019 Read more...
Peaches, Royal Festival Hall review - blissful anarchy Thursday, 29 August 2019 Read more...	Barber Shop Chronicles, Roundhouse review - riotous theatre at its best Thursday, 25 July 2019 Read more...
Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people Monday, 22 July 2019 Read more...	Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish Sunday, 30 June 2019 Read more...
Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above Wednesday, 19 June 2019 Read more...	Napoli, Brooklyn, Park Theatre review - lacking substance Tuesday, 18 June 2019 Read more...
Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music Thursday, 06 June 2019 Read more...	Frank Bowling, Tate Britain review - a marvel Wednesday, 05 June 2019 Read more...
Manga, British Museum review - stories for outsiders Thursday, 23 May 2019 Read more...	Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx Tuesday, 21 May 2019 Read more...
58th Venice Biennale review - confrontational, controversial, principled Tuesday, 14 May 2019 Read more...	Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal Tuesday, 14 May 2019 Read more...
Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives Sunday, 12 May 2019 Read more...	Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding Thursday, 25 April 2019 Read more...

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Music Reissues Weekly: Hawkwind - Hall of the Mountain Grill

Issued in September 1974, Hall of the Mountain Grill was Hawkwind’s fifth LP. The follow-up to 1973’s live double album...

The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...

Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

Classical CDs: Wolf-pelts, clowns and social realism

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'Everybody Scream': Florence + The Machine's...
If you were looking for the most perfectly brooding autumnal album this year, Florence Welch and her Machine may have been one...

Wendy & Peter Pan, Barbican Theatre review - mixed bag o...
On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...
“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...