wed 11/12/2019

Katherine Waters

Articles By Katherine Waters

Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people

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Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish

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Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above

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Napoli, Brooklyn, Park Theatre review - lacking substance

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Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

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Frank Bowling, Tate Britain review - a marvel

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Manga, British Museum review - stories for outsiders

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Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx

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58th Venice Biennale review - confrontational, controversial, principled

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Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal

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Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives

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Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

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Rodrigo y Gabriela, Roundhouse - sound and (new) noise

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Banine: Days in the Caucasus review - revolutions, pogroms and love

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Climate Change: The Facts, BBC One review - how much reality can humankind bear?

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My Enemy's Cherry Tree: Wang Ting-Kuo review - a masterpiece from Taiwan

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There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. It seems extraordinary that the master of the...

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A pas de deux is normally an opportunity for two dancers to express the pinnacle of their skill and...

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Dinosaur Pile-Up may have been around for more than a decade, but it would be fair to say that their career has been something of a slow burn....