tue 19/02/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

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Best of 2018: Art

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Mantegna and Bellini, National Gallery review - curated for curators

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h 100 Awards: Art, Design and Craft - making art public

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Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?

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All Too Human, Tate Britain review - life in the raw

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From Life, Royal Academy review - perplexingly aimless

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DVD/Blu-ray: Montparnasse 19

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Monochrome, National Gallery review - colourless but not dreary

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Drawn in Colour: Degas from the Burrell Collection review - guilty pleasures at the National Gallery

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h.Club 100 Awards: Art, Design and Craft - weaving magic at Dovecot Tapestry Studio

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The Encounter, National Portrait Gallery review - dazzlingly evocative drawings

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The Discovery of Mondrian review - the most comprehensive survey ever

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Hokusai: Beyond the Great Wave, British Museum

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Canaletto & the Art of Venice, The Queen's Gallery - preview

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Richard Long: Earth Sky, Houghton Hall

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latest in today

Gently Down the Stream, Park Theatre review - gay history si...

Ripeness is sometimes all. 80-year-old Martin Sherman's recent play, receiving its UK premiere at canny Park Theatre, says more about gay history...

Trifonov, LSO, Rattle, Barbican review - Russian style with...

The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way....

Come From Away, Phoenix Theatre review - a necessary correct...

Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of Come From Away,...

Sheeps, Soho Theatre review - sketch comedy with a touch of...

Sheeps, the sketch comedy threesome, had never really gone away but when they performed Live and Loud Selfie Sex Harry Potter ...

Agnes Colander, Jermyn Street Theatre review - Naomi Frederi...

Remembering meeting Harley Granville Barker when casting him as Marchbanks in Candida, Shaw described the 23-year-old as, "altogether the...

Lau, Cheese & Grain, Frome review - the dangerous charm...

Back in 2017, The Foo Fighters did a surprise pre-Glastonbury gig at Frome’s Cheese & Grain, a rather soulless shed near the equally soulless...

69th Berlin Film Festival round-up - what a banal Berlinale

As journalists and critics were enjoying the unseasonably balmy weather in...

CD: Susanna & The Brotherhood of Our Lady - Garden of Ea...

Lyrics such as “are we hunting for life among misery, Satan have pity on my long distress” and “we’re on a ship of fools, sails laughing and...

Elīna Garanča, Malcolm Martineau, Wigmore Hall review - towa...

It seems an almost indecent luxury to have heard two top mezzos...