Florence Hallett
Bio
Florence writes about the visual arts for a range of specialist and general interest publications.
Articles By Florence Hallett
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Little Foxes, Young Vic review - timeshifted production...
The Young Vic has opened under a new...
Sujo review - cartels through another lens
It’s not often we hear barely a single gunshot in a movie set amid Mexican drug cartels, but that may be the way it is for people who actually...
Queer review - Daniel Craig meets William Burroughs
Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary...
The Legends of Them, Royal Court review - reaching out for s...
I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Cherry Groce memorial, which...
William J. Mann: Bogie & Bacall review - beyond the scre...
What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question...
The Devil Wears Prada, Dominion Theatre review - efficient b...
It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film from 2006...
Album of the Year 2024: Amelia Coburn - Between the Moon and...
I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty...
The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brot...
The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...