Florence Hallett

Bio

Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent Thursday, 15 February 2024 Read more...	The Courtauld Gallery - the old place, just better Thursday, 02 December 2021 Read more...
Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in print Friday, 17 September 2021 Read more...	The Making of Rodin, Tate Modern review - surrealist tendencies Saturday, 05 June 2021 Read more...
Turner's Modern World, Tate Britain review - the universal artist Thursday, 13 May 2021 Read more...	This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now) Thursday, 08 April 2021 Read more...
Prix Pictet: Confinement review - a year in photographs Thursday, 18 March 2021 Read more...	Artemisia, National Gallery review - worth the wait Monday, 05 October 2020 Read more...
My Rembrandt review - hard cash and hubris Saturday, 15 August 2020 Read more...	Khadija Saye: In This Space We Breathe, 236 Westbourne Grove review - a celebrated series finds new resonance Tuesday, 21 July 2020 Read more...
The Golden Age of Modern Spanish Art, Colnaghi review - the sun shines in the City of Light Friday, 10 July 2020 Read more...	Celia Paul: My Studio, Victoria Miro review - sublime isolation Wednesday, 01 July 2020 Read more...
Shirley Baker: A Different Age, James Hyman Gallery review - the old at leisure Monday, 22 June 2020 Read more...	Explore Soane review - the museum restored and in 3D Monday, 15 June 2020 Read more...
Visual Arts Lockdown Special 4: sculpting like Rodin, watching artists, and more Wednesday, 10 June 2020 Read more...	Christo (1935-2020) - 'Beauty, science and art will always triumph' Wednesday, 03 June 2020 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Classical CDs: Bells, birdsong and braggadocio

...

Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

MONDAY 30^th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

Tom Raworth: Cancer review - truthfulness

I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...

Hill, Sky Documentaries review - how Damon Hill battled his...

Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996...