sat 25/01/2020

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Best of 2019: Visual Arts

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Caravaggio & Bernini, Kunsthistorisches Museum, Vienna - high emotion in 17th century Rome

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Bridget Riley, Hayward Gallery review - the thrill of seeing

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Rembrandt's Light, Dulwich Picture Gallery review - a film-maker out of time?

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Gauguin Portraits, National Gallery review - me, myself and I

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William Feaver: The Lives of Lucian Freud: Youth 1922-1968 review - a testament of friendship

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Tim Walker: Wonderful Things, V&A review - a bracing full-body immersion

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Artists in Amsterdam, Dulwich Picture Gallery review - a slight but evocative sketch

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Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

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Yorkshire Sculpture International review - Hepworth and Moore loom large

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Takis, Tate Modern review - science and art collide

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Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

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Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

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Sea Star: Sean Scully, National Gallery review - analysing past masters

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Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Album: Squirrel Flower - I Was Born Swimming

The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80”...

Stewart Copeland's Adventures in Music, BBC Four review...
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Uncle Vanya, Harold Pinter Theatre review - a superlative co...

Uncle Vanya must surely be the closest, the most essential of...

The Personal History of David Copperfield review – top-drawe...

Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant...

The Sunset Limited, Boulevard Theatre review - all talk, no...

Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet...

The Welkin, National Theatre review - women's labour is...

History plays should perform a delicate balancing act: they have to...

The Grudge review - non-stop shocks wear out their welcome

The 18-year-old Japanese horror hit Ju-On (The Grudge)...

Album: Black Lips - Sing In A World That’s Falling Apart

Since first getting together at the fag end of the 20th century, Black Lips have largely played the role of garage...