tue 07/04/2020

Florence Hallett

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Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

David Hockney: Drawing from Life, National Portrait Gallery review - an anatomy of love

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Francesca Wade: Square Haunting - Bloomsbury retold

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Picasso and Paper, Royal Academy review - the most versatile of materials

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Best of 2019: Visual Arts

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Caravaggio & Bernini, Kunsthistorisches Museum, Vienna - high emotion in 17th century Rome

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Bridget Riley, Hayward Gallery review - the thrill of seeing

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Rembrandt's Light, Dulwich Picture Gallery review - a film-maker out of time?

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Gauguin Portraits, National Gallery review - me, myself and I

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William Feaver: The Lives of Lucian Freud: Youth 1922-1968 review - a testament of friendship

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Tim Walker: Wonderful Things, V&A review - a bracing full-body immersion

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Artists in Amsterdam, Dulwich Picture Gallery review - a slight but evocative sketch

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Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

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Yorkshire Sculpture International review - Hepworth and Moore loom large

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Takis, Tate Modern review - science and art collide

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Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

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