wed 21/08/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

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Yorkshire Sculpture International review - Hepworth and Moore loom large

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Takis, Tate Modern review - science and art collide

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Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

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Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

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Sea Star: Sean Scully, National Gallery review - analysing past masters

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Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

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Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection

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Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

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Best of 2018: Art

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Mantegna and Bellini, National Gallery review - curated for curators

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h 100 Awards: Art, Design and Craft - making art public

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Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?

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Pages

latest in today

Pain and Glory review - masterful meditation on age and art

The Almodovar who made his name as an all-out provocateur in the 80s considers that wild art’s becalmed far side...

The Doctor, Almeida Theatre review - Robert Icke's long...

After six years, associate director Robert Icke bids farewell to the...

CD: Gard Nilssen Acoustic Unity - To Whom Buys a Record

To Whom Buys a Record roams through 12 crisply recorded pieces confirming that...

Heartbreak Holiday, BBC One review - can it match up to Love...

The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island...

Train Your Baby Like A Dog, Channel 4 review - an animal beh...

Animal behaviourist Jo-Rosie Haffenden, who lives in Spain, has some very good dogs (and a charming toddler, who knows how to sit). Can she...

Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the f...

Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall...

The Day Mountbatten Died, BBC Two review - the IRA's au...

It was a lovely summer’s day in southern England, much as it was in County Sligo. I was with my parents, driving to visit a very elderly relative...

Making new waves: Royce Vavrek on forging a libretto from La...

It was during the 1997 Golden Globe Awards telecast that I first caught a glimpse of the...

DVD/Blu-ray: The Chant of Jimmie Blacksmith

Fred Schepisi’s The Chant of Jimmie Blacksmith (1978) was the...