Florence Hallett
Bio
Florence writes about the visual arts for a range of specialist and general interest publications.
Articles By Florence Hallett
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
MobLand, Paramount+ review - more guns, goons and gangsters...
A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the...
Ed Atkins, Tate Britain review - hiding behind computer gene...
The best way to experience Ed Atkins’ exhibition at...
Album: Miki Berenyi Trio - Tripla
I saw the Miki Berenyi Trio play a warmly received sold out set at the Lexington last autumn, at which many of the songs now coming out on ...
The Importance of Being Oscar, Jermyn Street Theatre review...
It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean;...
Album: Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Death Hilarious
Pigsx7 have hardly got a reputation for penning tender and soulful ballads, but Death Hilarious is a particularly aggressive and...
Stiletto, Charing Cross Theatre review - new musical excess
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Misericordia review - mushroom-gathering and murder in rural...
“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's...
Owen Wingrave, RNCM, Manchester review - battle of a pacifis...
It’s quite ironic that the Royal Northern College of Music should have invited, as director of this,...
Apex Predator, Hampstead Theatre review - poor writing turns...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...