Florence Hallett

Bio

Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

William Feaver: The Lives of Lucian Freud: Youth 1922-1968 review - a testament of friendship Sunday, 29 September 2019 Read more...	Tim Walker: Wonderful Things, V&A review - a bracing full-body immersion Tuesday, 24 September 2019 Read more...
Artists in Amsterdam, Dulwich Picture Gallery review - a slight but evocative sketch Wednesday, 28 August 2019 Read more...	Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age? Tuesday, 06 August 2019 Read more...
Yorkshire Sculpture International review - Hepworth and Moore loom large Thursday, 18 July 2019 Read more...	Takis, Tate Modern review - science and art collide Friday, 12 July 2019 Read more...
Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures Friday, 14 June 2019 Read more...	Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen Wednesday, 29 May 2019 Read more...
Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light Wednesday, 08 May 2019 Read more...	Sea Star: Sean Scully, National Gallery review - analysing past masters Tuesday, 23 April 2019 Read more...
Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways Tuesday, 16 April 2019 Read more...	Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety Thursday, 11 April 2019 Read more...
Van Gogh and Britain, Tate Britain review - tenuous but still persuasive Wednesday, 27 March 2019 Read more...	Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection Monday, 11 March 2019 Read more...
Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty Tuesday, 05 February 2019 Read more...	Best of 2018: Art Monday, 31 December 2018 Read more...

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Music Reissues Weekly: The Sonics - High Time

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

This extract...

Album: Benson Boone - American Heart

I first had a conversation about Benson Boone without realizing it was him we were talking about. It went something like: “Did...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Classical CDs: Bells, whistles and bowing techniques

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Album: Yungblud - Idols
Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.
So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...
In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...