tue 21/09/2021

Visual Arts Features

Road Art: Art's wildest frontier

theartsdesk

They are hardly the ideal conditions in which to create. Danger is a constant and lurking menace, and it comes in multiple guises. Industrial injury is the main threat, as is the constant risk of arrest. Other hazards include deafness, breathing polluted air and public discontent. The tools and materials used in this form of installation - power drill, tarmac and steamroller - are expensive. And the work cannot be sold.

Read more...

Fourth Plinth: How London Created the Smallest Sculpture Park in the World

Grayson Perry

I have always felt very lucky to have been working as an artist in London during the period when it transformed into the capital of the art world. It has been a beautiful, fascinating and profitable ride.

Read more...

French Touch, Red Gallery

Kieron Tyler

Un Voyage Á Travers Dans Le Paysage Électronique Français, the French subtitle, goes further. French Touch is the first exhibition to celebrate and dig into France’s electronic music heritage: exploring the lineage which laid the ground for the world-wide success of Daft Punk.

Read more...

theartsdesk in Oslo: Mozart beneath a Munch sun

David Nice

Leif Ove Andsnes directing two great Mozart piano concertos from the keyboard may be the chief attraction when the Norwegian Chamber Orchestra comes to London's Cadogan Hall on Friday to celebrate its 40th birthday. It was certainly the bait which lured me to Oslo last week. But in talking to the Renaissance man...

Read more...

Listed: How I Do Love Thee

theartsdesk

Love is in the air. Today, men and women and boys and girls will be pondering how to say it with roses and cards and candlelit dinners: those three words that contain multitudes. As the old strip cartoon never quite got round to saying, love is... the human condition, which is why a good quantity of the culture we review on this site has to do with it. To help you get into the mood for romancing, we have asked our...

Read more...

John Berger: the critic as artist

Florence Hallett

It’s hardly the lot of an art critic to be loved and admired, still less to speak to an audience that might reasonably be called “the public”. And how many will find their ideas still current 40 years on? All of these things can be said for John Berger, who has died aged 90, a man whose radical approach to looking at art was an absolute inspiration, and whose ideas were a solid presence in my childhood, woven into my early memories as surely as the pages of a photo album.

Read more...

'Before punk, there was Rauschenberg'

Justin Adams

In this cut and paste world, we have become used to a multiplicity of images: screens, words and pictures from across the globe and across history flicker through our field of vision, competing for our attention with the natural world, the urban environment and our own memories, thoughts and dreams. The artist who most successfully began to express this new vision of the world was Robert Rauschenberg.

Read more...

Opinion: ArtReview Power 100

Marina Vaizey

Compiled by an anonymous panel, the 15th edition of ArtReview magazine’s annual list of the most powerful and influential people in the art world was published on Thursday. And who doesn’t like lists, to poke fun at, to argue with – or perhaps even agree with?

Read more...

Helaine Blumenfeld: 'Beauty has become synonymous with something banal'

Rachel Halliburton

Helaine Blumenfeld was living in Paris in the 1960s when she received an invitation from the Russian-born sculptor Ossip Zadkine to attend one of his salons. Zadkine had emigrated to Paris at the beginning of the century, evolving a style influenced first by Cubism and then African art.

Read more...

First Person: Portrait of Britain

Bill Knight

This exhibition includes one of my images, so I hesitated when I was asked to write about it – but I only hesitated for a moment. I have learned that if you are reluctant to promote your own work other people are even more inclined in that direction, so you should seize any chance you get.

Read more...

Pages

latest in today

Camp Siegfried, Old Vic review - the banality of evil, brill...

A stealthily powerful play gets the production of its dreams in Camp Siegfried, which marks a high-profile UK presence for the American...

Ben Howard, Royal Festival Hall review - authentic and reass...

Ben Howard is a man of very few words, unless of course, there’s a...

Esther Yoo, Yekwon Sunwoo, Wigmore Hall review - Korean duo...

The duo partnership between violinist Esther Yoo and...

The Lodger, Coronet Theatre review - underdeveloped family d...

The Coronet Theatre is a beautiful space – it’s a listed Victorian building, and the bar’s like something out of a film about Oscar Wilde....

Colson Whitehead: Harlem Shuffle review - period piece speak...

More than once, reading Colson Whitehead’s latest novel Harlem Shuffle, the brilliant Josh and Benny Safdie movie Uncut...

DVD/Blu-ray: The Servant

Switching between upstairs and downstairs makes your soul melt, in this first of three Joseph Losey/Harold Pinter...

LSO, Rattle, Barbican review - a glimpse into Bruckner’s wor...

For most Bruckner fans, the multiple editions and revisions...

Anuvab Pal, Soho Theatre review - Empire and Bollywood colli...

Anuvab Pal may be a new name to some UK audiences (although many will know him from the global...

Sebastian Faulks: Snow Country review - insects under a ston...

Historical fiction – perhaps all fiction – presents its authors with the problem of how to convey contextual information that is external to the...

Leeds International Piano Competition Finals, Leeds Town Hal...

It’s easy to forget that what you see in a competition final isn’t always the full story, the jury members’ votes in this case based on what had...