Visual Arts Reviews
Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the ChannelTuesday, 28 November 2023
The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition now inhabiting its labyrinthine multi-storey suite of galleries. Read more... |
Women in Revolt!, Tate Britain review - a super important if overwhelming showFriday, 10 November 2023
The soundtrack to Tate Britain’s seminal exhibition Women in Revolt! is a prolonged scream. On film, Gina Birch of the punk band The Raincoats gives vent to her pent-up anger and frustration by yelling at the top of her lungs for 3 minutes (main picture). Read more... |
A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identityMonday, 06 November 2023
The introductory panel to Tate Modern's exhibition of photography, film and installation contains some stark facts that remind us of the history informing the work of these 36 African artists. Some 10 million Africans were sold into slavery and by 1914, 90 per cent of this vast continent was under colonial rule (a third of it British), which one could describe as a lesser form of enslavement. Read more... |
El Anatsui: Behind the Red Moon, Tate Modern review - glorious creationsWednesday, 25 October 2023
The enormous volume of Tate Modern’s Turbine Hall has overwhelmed many of those invited to exhibit there, but Ghanaian artist El Anatsui responded to the challenge with magnificent hangings that tame the huge, industrial space. Read more... |
RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environmentThursday, 19 October 2023
RE/SISTERS is a show about the brave women who’ve been fighting to protect our planet and the artists whose work – mainly in film and photography – is, in itself, a form of protest. The opening section, Extractive Economics demonstrates the problem – companies trashing the planet for profit, regardless of the cost to people and the environment. Read more... |
Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questionsTuesday, 17 October 2023
A polar bear stands guard over the seal pup it has just killed (main picture). How could photographer, Hiroshi Sugimoto have got so close to a wild animal at such a dangerous moment? Even if he had a powerful telephoto lens, he’d be risking life and limb. And what a perfect shot! Every hair on the bear’s body is crystal clear; in fact, it looks as if her fur has just been washed and brushed. Read more... |
Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre moodTuesday, 10 October 2023
It’s incredible to think that the Turner Prize has been going for nearly 40 years. It was initially set up to generate interest in contemporary art by sparking debate. Not surprisingly, the media took this as an invitation to stir up controversy by focusing on work they considered shocking and this, in turn, encouraged artists to be provocative. Read more... |
Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKKThursday, 05 October 2023
At last, after waiting several years, we get to see Philip Guston’s paintings at Tate Modern. His retrospective was scheduled to open in summer 2020 at the National Gallery of Art in Washington, but the murder of George Floyd made the institution nervous. The problem? Guston’s absurdist paintings of Klu Klux Klan (KKK) members. Read more... |
Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAsMonday, 02 October 2023
I think of Sarah Lucas as the bad girl of British art, the one who uses her wicked sense of humour to point to rampant misogyny and call out the perpetrators. Of her generation of YBAs (Young British Artists), she has produced the edgiest, funniest and most disrespectful work. Read more... |
Marina Abramović, Royal Academy review - young performers stand in for the absent artistSaturday, 23 September 2023
One of the most cherished memories of my 40 plus years as an art critic is of easing my way between Marina Abramović and her partner Ulay. They were standing either side of a doorway at Documenta in Kassel, Germany, leaving just enough room for people to squeeze through, trying not to touch their naked bodies. Read more... |
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