mon 07/07/2025

Visual Arts Reviews

Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

Sarah Kent

It’s incredible to think that the Turner Prize has been going for nearly 40 years. It was initially set up to generate interest in contemporary art by sparking debate. Not surprisingly, the media took this as an invitation to stir up controversy by focusing on work they considered shocking and this, in turn, encouraged artists to be provocative.

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Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

Sarah Kent

At last, after waiting several years, we get to see Philip Guston’s paintings at Tate Modern. His retrospective was scheduled to open in summer 2020 at the National Gallery of Art in Washington, but the murder of George Floyd made the institution nervous. The problem? Guston’s absurdist paintings of Klu Klux Klan (KKK) members.

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Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

Sarah Kent

I think of Sarah Lucas as the bad girl of British art, the one who uses her wicked sense of humour to point to rampant misogyny and call out the perpetrators. Of her generation of YBAs (Young British Artists), she has produced the edgiest, funniest and most disrespectful work.

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Marina Abramović, Royal Academy review - young performers stand in for the absent artist

Sarah Kent

One of the most cherished memories of my 40 plus years as an art critic is of easing my way between Marina Abramović and her partner Ulay. They were standing either side of a doorway at Documenta in Kassel, Germany, leaving just enough room for people to squeeze through, trying not to touch their naked bodies.

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Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil

Hannah Hutching

For those unable to travel to far-flung places this summer, look no further than Turner Contemporary. Featuring the work of Brazilian artist Beatriz Milhazes, the exhibition transports you to the sandy beaches, vibrant streets and candle-lit cathedrals of Rio de Janeiro, Brazil.

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Differently Various, The Curve, Barbican review - a step in a shared direction

Saskia Baron

The Barbican’s effort to open up the art centre to a wider audience than just City workers and wealthy local residents makes a leap forward with a new exhibition in the Curve. The free gallery space that wraps around the back of the main concert hall, has become home to Differently Various, a lively show and series of workshops co-curated by a group of artists from Headway East London, a charity for people who have experienced brain injury.  

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Anselm Kiefer: Finnegans Wake, White Cube Bermondsey review - an awe-inspiring show

mark Kidel

As a child, Anselm Kiefer tells us, in a bombed out German city, he would play in the rubble, creating life out of ruin and destruction. As an artist who is remarkably consistent, without being predictable, he continues to play in the ruins, breathing new life into the detritus of the world as well as his own collection of found objects, waste materials and other elements from which life appears to have been sucked out by time and history.

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Jean Cooke: Ungardening, Garden Museum review - a cramped show of airy and spacious paintings

Sarah Kent

It’s impossible to think about Jean Cooke’s work without taking into account her relationship with her husband, the painter John Bratby, because his controlling personality profoundly affected every aspect of her life.

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Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

Sarah Kent

At 94, Yayoi Kusama is said to be the world’s most popular living artist. People queue for hours to spend a few minutes inside one of her Infinity Rooms, spaces with walls mirrored to create infinite reflections.

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Brian Clarke - A Great Light, Newport Street Gallery review - a British master proves his worth

mark Kidel

The artist Brian Clarke, surely one of the leading British artists of our time, has been all too readily dismissed as a mere craftsman. So much for being an outstanding and highly original painter who’s also done more for contemporary stained glass than any other artist in the world.

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