Visual Arts Reviews
Louise Bourgeois, Scottish National Gallery of Modern ArtFriday, 01 November 2013
There’s a giant spider in the Scottish National Gallery of Modern Art’s new exhibition of Louise Bourgeois. Her trademark spider and the fact that she lived to 98 – working into her final days – are probably two of the best-known things about her. Read more... |
Turner Prize 2013, Ebrington Barracks, Derry-LondonderryWednesday, 30 October 2013
This year, if you don’t live in Ireland, you’ll have to take a plane or a boat to see the Turner Prize exhibition. But the effort will be nicely rewarded, for Derry (or Londonderry/Doire – wherever your affiliations take you) is a beautiful city, and it’s also the first UK City of Culture, so there’s plenty going on. Read more... |
The Male Nude, Wallace CollectionWednesday, 30 October 2013
It is amazing how perceptions and attitudes change. Think of a nude and the chances are you will imagine a naked woman since, nowadays, the female body virtually monopolises the genre; naked men scarcely make an appearance in mainstream culture. This changed briefly in the 1970s, when American photographer Robert Mapplethorpe brought the male nude into focus with countless images celebrating masculine beauty. Read more... |
Daumier: Visions of Paris, Royal AcademySunday, 27 October 2013
From Hogarth through to Gillray and Cruikshank, it was Georgian England that gave rise to a graphic tradition of satire. The powerful were lampooned and the pretensions and avarice of the upper and aspiring classes duly ridiculed. But the poor did not escape moral censure. Far from it. Then as now we had the virtuous and the feckless poor, and it was the love of gin that often bought the latter down. Read more... |
Whistler and the Thames: An American in London, Dulwich Picture GallerySunday, 27 October 2013
Dulwich Picture Gallery, the oldest publicly accessible painting collection in England, is hardly on the bank of the Thames, but its compilation of prints, drawings, watercolours and paintings by James McNeill Whistler (1834-1902) concentrates on his absorption with London’s river. Read more... |
The Young Dürer: Drawing the Figure, Courtauld GalleryWednesday, 23 October 2013
It surely takes courage to conceive an exhibition around a single, slightly obscure work by an artist whose oeuvre boasts an array of crowd-pleasers. Rather than gathering together the greatest hits, the Courtauld Gallery’s new exhibition takes as its starting point a single sheet of paper; on one side is a finely wrought figure from the parable of the Wise and the Foolish Virgins, while on the verso are studies of Dürer’s left leg. Read more... |
Elizabeth I and Her People, National Portrait GallerySaturday, 19 October 2013
At the beginning of the 17th century an anonymous Anglo-Netherlandish artist produced an elaborate procession portrait of the septuagenarian Virgin Queen, tactfully portrayed as though several decades younger, when she had succeeded to the throne in her mid-twenties. Elizabeth I is held aloft under an embroidered canopy and surrounded by Knights of the Garter, courtiers, members of the royal household, and aristocrats. Read more... |
Art Under Attack: Histories of British Iconoclasm, Tate BritainFriday, 18 October 2013
Seeing the statue of Saddam Hussein toppled in Baghdad in April 2003, I felt a rush of euphoria despite deep reservations about the American invasion. My (misplaced) optimism was shared by the Iraqi student, Ayass Mohammed. ’“Suddenly I felt freedom,” he told reporters; for him the fall of the statue symbolised the end of tyranny and the arrival of hope. Read more... |
Paul Klee: Making Visible, Tate ModernTuesday, 15 October 2013
"The objects in pictures look out at us serene or severe, tense or relaxed, comforting or forbidding, suffering or smiling." Thus said Paul Klee (1879-1940) in a lecture on modern art in 1924. It is an entirely accurate description of his own work, drawing as it does on dream and nightmare, fairytales and apocalyptic visions, not to mention landscape, portrait, architecture, aquatic scenes, the world around him and abstract imaginings: the whole gamut. Read more... |
Kara Walker, Camden Arts CentreSunday, 13 October 2013
American ladies, in the 18th and 19th centuries, passed their time in fashionable pursuits such as embroidering samplers and cutting out portraits of family and friends. Read more... |
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