thu 23/01/2020

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

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Eva Meijer: Animal Languages review - do you talk crow?

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John Grisham: The Guardians review - nail-bitingly good

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Michael Connelly: The Night Fire review - unputdownable

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John le Carré: Agent Running in the Field review - fake news, Brexit and Cold war echoes

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Joanna Cannon: Breaking and Mending review - can you feel too much?

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10 Questions for author Martin Gayford

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Martin Gayford: The Pursuit of Art review - devotion, distilled

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A. N. Wilson: Prince Albert review - entertaining bio is a total treat

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Martin Hägglund: This Life - Why Mortality Makes Us Free review - profound book to be read slowly

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BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

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Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline

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Edouard Vuillard: The Poetry of the Everyday, Holburne Museum, Bath review - dizzying pattern and colour

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Thatcher: A Very British Revolution, BBC Two review - demolishing the boys' club

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Leah Hazard: Hard Pushed review - a midwife's tales

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Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

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latest in today

Album: Black Lips - Sing In A World That’s Falling Apart

Since first getting together at the fag end of the Twentieth Century, Black Lips have largely played the role of garage rockers with a hint of...

The Welkin, National Theatre review - women's labour is...

History plays should perform a delicate balancing act: they have to tell us something worth knowing about the past, that foreign country where...

Scenes with Girls, Royal Court review - feminist separatism...

Last night, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It's when you see a show that keeps making you...

Miloš Karadaglić, Birmingham Town Hall review - flashy and f...

Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin...

Crazy Delicious, Channel 4 review - the most ridiculous cook...

The race continues to create the most ridiculous cooking programme...

Chris Packham: 7.7 Billion People and Counting, BBC Two revi...

We hear plenty of debate about climate change and its disastrous potential, but the ballooning growth of the world’s population may be the most...

Album: Ruby Turner – Love Was Here

One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole...

You Stupid Darkness!, Southwark Playhouse review - an intrig...

Armageddon would appear to be at the gates in Sam Steiner’s intriguing if ramshackle...

English National Ballet 70th Anniversary Gala, Coliseum revi...

Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were...

Bach Sunday with the Suzukis, RAM / Appl, AAM, Milton Court...

Not long after noon on Sunday, strange bells began ringing. In just 11 bars,...