mon 25/08/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Pioneering Women, Oxford Ceramics Gallery online review - domestic pleasures

Read more...

Hold Still, National Portrait Gallery review - snapshots from lockdown

Read more...

Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

Read more...

William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

Read more...

George IV: Art & Spectacle, The Queen's Gallery review - all is aglitter

Read more...

Vincent van Gogh: the reader and the writer

Read more...

Bears About the House, BBC Two review - uphill struggle to save hunted animals

Read more...

Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

Read more...

The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

Read more...

John Grisham: Camino Winds review - morality tale with a light touch

Read more...

Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossip

Read more...

Grayson's Art Club, Channel 4 review - too many clichés and platitudes?

Read more...

Don Winslow: Broken review - a staggering crash course in the possibilities of crime

Read more...

Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying game

Read more...

Sam Bourne: To Kill a Man review – the woman who fought back

Read more...

Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholing

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites and Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...

Dunedin Consort, Butt / D’Angelo, Muñoz, Edinburgh Internati...

Handel probably wrote his cantata Clori, Tirsi e Fileno in 1707 while he was in the service of the Marquis of Ruspoli in Rome. It tells...

The Maccabees, Barrowland, Glasgow review - indie band retur...

You wait years for a guitar group with brothers to reunite and then two come along at once. The Maccabees return might have attracted far less...