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Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Val McDermid: Insidious Intent review - dark and expert crime writing

Sunday, 27 August 2017 Read more...

Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

Sunday, 13 August 2017 Read more...

Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

Wednesday, 09 August 2017 Read more...

James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

Sunday, 06 August 2017 Read more...

Matisse in the Studio, Royal Academy review - a fascinating compilation

Friday, 04 August 2017 Read more...

Queer as Art, BBC Two review - showbusiness and the gay revolution

Sunday, 30 July 2017 Read more...

Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

Wednesday, 12 July 2017 Read more...

Michael Connelly: The Late Show review - mesmerising and believable characters

Sunday, 09 July 2017 Read more...

The Exhibition Road Quarter review, V&A - an intelligent and much needed expansion

Monday, 03 July 2017 Read more...

Jonathan Miles: St Petersburg review - culture and calamity

Sunday, 02 July 2017 Read more...

Sargent, Dulwich Picture Gallery review - wonders in watercolour

Thursday, 29 June 2017 Read more...

Brenda Maddox: Reading the Rocks review - revelations of geology

Sunday, 25 June 2017 Read more...

National Gallery of Ireland review - bigger and better

Thursday, 22 June 2017 Read more...

Elif Batuman: The Idiot review - memories of student life and travels meander

Sunday, 11 June 2017 Read more...

Alberto Giacometti, Tate Modern

Saturday, 13 May 2017 Read more...

Sunday Book: Henry Marsh - Admissions: A Life in Brain Surgery

Sunday, 07 May 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
Run Sister Run, Arcola Theatre review - emphatic emotions, o...

Near the start of Chloë Moss’s latest play, Run...

First Person: country singer Tami Neilson on the superpower...

I was born Tamara Lee Neilson. I had an Uncle Kenny and an Aunt Dolly (who played guitar and banjo, respectively). I mean, did I really have a...

Album: Gwenno - Utopia

Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “...

Live Aid at 40: When Rock'n'Roll Took on the World...

“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s...

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk...

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there...

Blu-ray: A Hard Day's Night

Andrew Sarris, doyen of auteurist film critics, dubbed A Hard Day’s Night “the Citizen Kane of jukebox musicals”. Wild over-...

Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...

Album: Olafur Arnalds and Talos - A Dawning

Silken ambience is the name of the game on this set from Icelandic composer-producer Olafur Arnalds and dreampop singer Talos, aka Eoin French,...

Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...