fri 01/12/2023

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Val McDermid: Insidious Intent review - dark and expert crime writing

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Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

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Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

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James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

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Matisse in the Studio, Royal Academy review - a fascinating compilation

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Queer as Art, BBC Two review - showbusiness and the gay revolution

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Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

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Michael Connelly: The Late Show review - mesmerising and believable characters

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The Exhibition Road Quarter review, V&A - an intelligent and much needed expansion

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Jonathan Miles: St Petersburg review - culture and calamity

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Sargent, Dulwich Picture Gallery review - wonders in watercolour

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Brenda Maddox: Reading the Rocks review - revelations of geology

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National Gallery of Ireland review - bigger and better

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Elif Batuman: The Idiot review - memories of student life and travels meander

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Alberto Giacometti, Tate Modern

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Sunday Book: Henry Marsh - Admissions: A Life in Brain Surgery

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latest in today

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...

Boat Story, BBC One review - once upon a time in Yorkshire

It was as long ago as January last year that the prolific Williams brothers,...

Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience,...

Mark Rothko, Fondation Louis Vuitton, Paris review - a show...

The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition...