sun 08/09/2024

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Val McDermid: Insidious Intent review - dark and expert crime writing

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Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

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Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

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James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

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Matisse in the Studio, Royal Academy review - a fascinating compilation

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Queer as Art, BBC Two review - showbusiness and the gay revolution

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Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

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Michael Connelly: The Late Show review - mesmerising and believable characters

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The Exhibition Road Quarter review, V&A - an intelligent and much needed expansion

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Jonathan Miles: St Petersburg review - culture and calamity

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Sargent, Dulwich Picture Gallery review - wonders in watercolour

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Brenda Maddox: Reading the Rocks review - revelations of geology

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National Gallery of Ireland review - bigger and better

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Elif Batuman: The Idiot review - memories of student life and travels meander

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Alberto Giacometti, Tate Modern

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Sunday Book: Henry Marsh - Admissions: A Life in Brain Surgery

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latest in today

Music Reissues Weekly: Lee 'Scratch' Perry and Fri...

After the March 1969 UK release of the “Return of Django” single, prospective performers of the song could buy it transcribed as sheet music. On...

Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle...

Mahler’s Sixth is one of those apocalyptic megaliths that shouldn’t be approached too often by audiences or conductors. It’s been a constant in...

Ballet Nights #006, Cadogan Hall review - a mixed bag of exc...

It’s exactly a year since Ballet Nights, the self-styled taster platform for ...

Kaos, Netflix review - playing fast and profuse with the Gre...

The ancient Greeks would probably have liked a lot about Charlie Covell‘s manipulation of mythic material. After all, Euripides was prepared to...

The Allergies, Hare & Hounds, Birmingham review - funky...

The Allergies kicked off their Freak the Speaker tour in Birmingham this week. However, the album that they were promoting was nowhere to...

The Silver Cord, Finborough Theatre review - Sophie Ward is...

One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten...

Album: LL COOL J - THE FORCE

This album only has one serious flaw: LL COOL J didn’t open it with “OK you can call it a comeback”. Sorry, cheap joke (if you didn’t know, his...

Prom 61, Bavarian Radio Symphony Orchestra, Rattle review -...

Hot on the glittering heels of the Berlin Philharmonic and Kirill Petrenko, Sir Simon Rattle brought another stellar German outfit to the...

Gossip, SWG3, Glasgow review - powerhouse voice provokes onl...

Beth Ditto protests too much. 'Do you feel young" she hollered early on, before adding "I don't", one of several references during the gig...

The Third Man rides again - 75th anniversary of Carol Reed...

It was originally released in Britain 75 years ago this month, making its debut in a small cinema in Hastings on 1 September 1949, and quite a few...