tue 15/04/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Val McDermid: Insidious Intent review - dark and expert crime writing

Read more...

Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

Read more...

Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

Read more...

James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

Read more...

Matisse in the Studio, Royal Academy review - a fascinating compilation

Read more...

Queer as Art, BBC Two review - showbusiness and the gay revolution

Read more...

Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

Read more...

Michael Connelly: The Late Show review - mesmerising and believable characters

Read more...

The Exhibition Road Quarter review, V&A - an intelligent and much needed expansion

Read more...

Jonathan Miles: St Petersburg review - culture and calamity

Read more...

Sargent, Dulwich Picture Gallery review - wonders in watercolour

Read more...

Brenda Maddox: Reading the Rocks review - revelations of geology

Read more...

National Gallery of Ireland review - bigger and better

Read more...

Elif Batuman: The Idiot review - memories of student life and travels meander

Read more...

Alberto Giacometti, Tate Modern

Read more...

Sunday Book: Henry Marsh - Admissions: A Life in Brain Surgery

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Forsythe Programme, English National Ballet review - bra...

It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...

Manic Street Preachers, Barrowland, Glasgow review - elder s...

As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...

Your Friends & Neighbors, Apple TV+ review - in every dr...

It had begun to seem that Jon Hamm, whatever other roles he might appear in, was destined to be forever remembered exclusively as Mad Men...

Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in...

Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg Variations left a few features...

Shanghai Dolls, Kiln Theatre review - fascinating slice of h...

The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but...

Mahler's Ninth, BBC Philharmonic, Gamzou, Bridgewater H...

There was a change of conductor from the one advertised for this BBC Philharmonic performance at the Bridgewater Hall – but the one who we heard...

Manhunt, Royal Court review - terrifyingly toxic masculinity...

Are we really in “a new era of male anger, societal discontent and rage”? This is what...

Album: Rhiannon Giddens & Justin Robinson - What Did the...

At a time when the powers that sadly be in America are trying their damnedest to erase and rewrite history, the latest release from Rhiannon...

St Matthew Passion, Dunedin Consort, Butt, Queen’s Hall, Edi...

I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place in the week up to...