fri 29/08/2025

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

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Reza Aslan: God - A Human History review - on being 'sapiens', and believing

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Lake Keitele: A Vision of Finland review, National Gallery - light-filled northern vistas

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Impressionists in London, Tate Britain review - from the stodgy to the sublime

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ArtReview Power 100 - an artist tops the list

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Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breaking

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Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

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Chris Packham: Asperger's and Me, BBC Two review - 'like an alien from another planet'

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Niall Ferguson: The Square and the Tower review - of groups and power

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Henning Mankell: After the Fire review - of death and redemption

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Basquiat: Rage to Riches review, BBC Two – death rides an equine skeleton

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Claire Tomalin: A Life of My Own review - the biographer on herself

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Jasper Johns, Royal Academy review - a master of 50 shades

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Cinema Through the Eye of Magnum, BBC Four review - moving pictures

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John le Carré: A Legacy of Spies review - the master in twilight mood

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DVD: Every Picture Tells a Story

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'We are bowled over!' Thank you for your messages... ...
theartsdesk Q&A: Suranne Jones on 'Hostage', p...

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

BBC Proms: The Marriage of Figaro, Glyndebourne Festival rev...

One door closes, and another one opens. A lot. It’s extraordinary what value those two simple additions to the Royal Albert Hall stage lent to...

Fat Ham, RSC, Stratford review - it's Hamlet Jim, but n...

$8.2B. That’s what can happen when you re-imagine ...

King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...