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Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

Friday, 15 December 2017 Read more...

Reza Aslan: God - A Human History review - on being 'sapiens', and believing

Sunday, 03 December 2017 Read more...

Lake Keitele: A Vision of Finland review, National Gallery - light-filled northern vistas

Saturday, 18 November 2017 Read more...

Impressionists in London, Tate Britain review - from the stodgy to the sublime

Tuesday, 07 November 2017 Read more...

ArtReview Power 100 - an artist tops the list

Friday, 03 November 2017 Read more...

Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breaking

Monday, 30 October 2017 Read more...

Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

Sunday, 29 October 2017 Read more...

Chris Packham: Asperger's and Me, BBC Two review - 'like an alien from another planet'

Wednesday, 18 October 2017 Read more...

Niall Ferguson: The Square and the Tower review - of groups and power

Sunday, 15 October 2017 Read more...

Henning Mankell: After the Fire review - of death and redemption

Sunday, 08 October 2017 Read more...

Basquiat: Rage to Riches review, BBC Two – death rides an equine skeleton

Sunday, 08 October 2017 Read more...

Claire Tomalin: A Life of My Own review - the biographer on herself

Sunday, 24 September 2017 Read more...

Jasper Johns, Royal Academy review - a master of 50 shades

Saturday, 23 September 2017 Read more...

Cinema Through the Eye of Magnum, BBC Four review - moving pictures

Monday, 18 September 2017 Read more...

John le Carré: A Legacy of Spies review - the master in twilight mood

Sunday, 10 September 2017 Read more...

DVD: Every Picture Tells a Story

Friday, 08 September 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...

Till the Stars Come Down, Theatre Royal Haymarket review - a...

The 2024 play at the National...

Too Much, Netflix - a romcom that's oversexed, and over...

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr...