tue 06/12/2022

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline

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Edouard Vuillard: The Poetry of the Everyday, Holburne Museum, Bath review - dizzying pattern and colour

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Thatcher: A Very British Revolution, BBC Two review - demolishing the boys' club

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Leah Hazard: Hard Pushed review - a midwife's tales

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Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

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Frans de Waal: Mama's Last Hug review - animal feelings

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Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

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Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

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Fiona MacCarthy: Walter Gropius review - a master of modernism

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Sam Bourne: To Kill the Truth review - taut thriller of big ideas

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Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

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John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

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Don McCullin: Looking for England, BBC Four review - a hard look at home

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The Last Survivors, BBC Two review - living on

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Kristen Roupenian: You Know You Want This review - twisted tales

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Michael Peppiatt: The Existential Englishman review - we'll always have Paris

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Orlando, Garrick Theatre review - Emma Corrin is incandescen...

Identity is thorny business. This was the parting thought of Anna X, the play that marked Emma Corrin’s West End debut in the summer of...

Blu-ray: The Cat and the Canary (1939) / The Ghost Breakers...

Paramount added a late “old dark house” mystery comedy to Hollywood’s annus mirabilis of 1939 by teaming Bob Hope with...

Mahler’s Ninth Symphony, LPO, Jurowski, RFH review - a perfo...

This greatest of symphonies starts with what’s plausibly described as arrhythmia of the heart, so it shouldn’t have been surprising to find my own...

Three Minutes: A Lengthening review - superb portrait of a v...

We hear the projector whirr as the mute 16mm film flows through the sprockets and on to the screen. For three minutes and a little longer we watch...

Album: We Were Promised Jetpacks - A Complete One-Eighty

We Were Promised Jetpacks is a band name that seems off the cuff at first glance. This could be said for the Scottish...

Music Reissues Weekly: Trevor Beales - Fireside Stories

When Trevor Beales’s band Havana Lake released their only album in 1977, it was on a label which also issued records by The Ryman Country Band,...

Directors the Dardenne brothers: 'To be living means to...

Belgian brothers Luc and Jean-Pierre Dardenne have made their home region of Liège the site of excruciating moral crises and crushing injustice....

Manchester Collective String Orchestra, RNCM, Manchester rev...

Manchester Collective’s string orchestra programme, opening last night at the Royal Northern College of Music and touring to the South Bank, Leeds...