fri 03/07/2020

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

Read more...

Fiona MacCarthy: Walter Gropius review - a master of modernism

Read more...

Sam Bourne: To Kill the Truth review - taut thriller of big ideas

Read more...

Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

Read more...

John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

Read more...

Don McCullin: Looking for England, BBC Four review - a hard look at home

Read more...

The Last Survivors, BBC Two review - living on

Read more...

Kristen Roupenian: You Know You Want This review - twisted tales

Read more...

Michael Peppiatt: The Existential Englishman review - we'll always have Paris

Read more...

Nolan: Australia's Maverick Artist, BBC Four review – a lust for life in all its aspects

Read more...

American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the Free

Read more...

On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

Read more...

The Sound of Movie Musicals with Neil Brand, BBC Four review - genius of song and dance

Read more...

Boris Akunin: Black City review - a novel to sharpen the wits

Read more...

Louis Theroux's Altered States: Choosing Death, BBC Two review - profound and moving

Read more...

Our Classical Century, BBC Four review - enthusiasm and delight

Read more...

Pages

latest in today

Les Blancs, National Theatre at Home review – triumphant rev...

Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to be produced on Broadway, where it opened...

Back Roads review - nice cheekbones, not much else

Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this...

Family Romance, LLC review - the chameleon blues

Werner Herzog’s appearance in The Mandalorian paid for this deadpan,...

Toast, Lawrence Batley Theatre online review - pungent adapt...

I knew what a Howard Hodgkin painting would look like before I ever saw one because of...

Album: Polly Scattergood - In This Moment

A decade ago, Polly Scattergood was Mute Records’ newest, most-likely-to signing and, while she never crossed over like similar unconventional...

Theatre Lockdown Special 12: An American rarity, a British s...

Can this weekly lineup really now be three months old?  As we move towards at least some degree of relaxation on the social restrictions that...

The Opera Story: Episodes review - whimsical takes on lockdo...

The Opera Story is an enterprising set-up based in London and founded with a mission to commission and stage...

Lynn + Lucy review - a bruising tale of female friendship

British director Fyzal Boulifa makes his feature...

Birdsong, The Original Theatre Company online review – a gut...

Birdsong, Sebastian Faulks’ best-selling...