sat 07/12/2019

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Dramatic Exchanges review - a brilliant slice of theatre history

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Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

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The new V&A Photography Centre review - a new museum to make us proud

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Michael Caine: Blowing the Bloody Doors Off review - an actor's handbook, annotated by experience

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Julian Baggini: How the World Thinks review - a whirlwind tour of ideas

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Barneys, Books and Bust Ups, BBC Four review - the Booker Prize at 50

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Simon Sebag Montefiore: Written in History review - epistolary high points

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Queen of the World, ITV review - born to run and run

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Courtauld Impressionists: From Manet to Cézanne review - much loved treasures, seen afresh

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Neil MacGregor: Living with the Gods review - focuses of belief

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Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

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Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

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Roger Scruton: Music as an Art review - how to listen?

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Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

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Frank Gardner: Ultimatum review - topical terrorism

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Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

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latest in today

Rick Wakeman’s Grumpy Old Christmas Show, Cadogan Hall revie...

The cape, the banked-up synths and the glam have gone. Rick Wakeman’s Grumpy Old...

Rufus and Martha Wainwright, A Not So Silent Night, RFH revi...

It’s 10 years this month since Kate McGarrigle gave her last concert, the annual...

Classical CDs Weekly: Josquin, Tchaikovsky, Janet Sung

 

Josquin: Missa Mater Patris, Bauldeweyn: Missa Da pacem The Tallis Scholars/Peter Philips (Gimmell)

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My Baby, Concorde 2, Brighton review - Dutch three-piece del...

“Trance boogie,” states My Baby frontwoman Cato van Dijck before submersing herself in the rising tribal rhythm of “Sunflower Sutra". Trance...

CD: Rob Halford - Celestial

If there’s one man who has got the chutzpah to sing songs about the Baby Jesus while flashing the Devil’s horns, it’s Judas Priest frontman Rob...

Giri/Haji, Series Finale, BBC Two review - a thriller, but m...

Happily, Joe Barton’s tinglingly original thriller (BBC Two)...

Honey Boy review - coming to terms with dad

Blue periods can lead to golden streaks. Such is almost the case with Honey Boy, which Shia LaBeouf wrote during a court-ordered stay in...

Ravens: Spassky vs. Fischer, Hampstead Theatre review - it...

We’ve had Chess the musical; now, here’s Chess the play...

ABBA: Super Troupers The Exhibition, O2 - one for the superg...

Abba fans can already have an immersive dining/dancing/singing experience at the O2 in Mamma Mia! The Party, and now, almost as a...