sat 19/09/2020

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Thatcher: A Very British Revolution, BBC Two review - demolishing the boys' club

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Leah Hazard: Hard Pushed review - a midwife's tales

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Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

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Frans de Waal: Mama's Last Hug review - animal feelings

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Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

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Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

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Fiona MacCarthy: Walter Gropius review - a master of modernism

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Sam Bourne: To Kill the Truth review - taut thriller of big ideas

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Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

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John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

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Don McCullin: Looking for England, BBC Four review - a hard look at home

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The Last Survivors, BBC Two review - living on

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Kristen Roupenian: You Know You Want This review - twisted tales

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Michael Peppiatt: The Existential Englishman review - we'll always have Paris

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Nolan: Australia's Maverick Artist, BBC Four review – a lust for life in all its aspects

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American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the Free

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Pages

latest in today

Picnic at the Castle review - entertaining mixed bill

Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking...

Nocturnal review - an impossible love

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...

Album: Alicia Keys - Alicia

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...

Rocks review - impressively well-crafted neo-realist drama

Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...

GogolFest:Dream review - the best music festival of the summ...

GogolFest:Dream in Kherson, somewhere near the Crimea in...

Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Fes...

An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable...

The Devil All The Time review – a test of faith in a Souther...

Theres no denying the Faulknerian ambition to the construction of Anthony Camposlatest feature Devil All the Time...

Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of...

Album: Fish - Weltschmerz

"This party's over" snarls Fish on Weltschmerz, and, this time, it seems the big man really means...

Alban Gerhardt, Markus Becker, Wigmore Hall review - long sh...

It wouldn’t be true to say I’d forgotten what a solo cello in a...