mon 28/07/2025
Home > users

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline

Tuesday, 18 June 2019 Read more...

Edouard Vuillard: The Poetry of the Everyday, Holburne Museum, Bath review - dizzying pattern and colour

Tuesday, 11 June 2019 Read more...

Thatcher: A Very British Revolution, BBC Two review - demolishing the boys' club

Tuesday, 21 May 2019 Read more...

Leah Hazard: Hard Pushed review - a midwife's tales

Sunday, 05 May 2019 Read more...

Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

Friday, 26 April 2019 Read more...

Frans de Waal: Mama's Last Hug review - animal feelings

Sunday, 14 April 2019 Read more...

Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

Tuesday, 19 March 2019 Read more...

Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

Tuesday, 12 March 2019 Read more...

Fiona MacCarthy: Walter Gropius review - a master of modernism

Sunday, 10 March 2019 Read more...

Sam Bourne: To Kill the Truth review - taut thriller of big ideas

Sunday, 24 February 2019 Read more...

Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

Sunday, 17 February 2019 Read more...

John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

Thursday, 14 February 2019 Read more...

Don McCullin: Looking for England, BBC Four review - a hard look at home

Tuesday, 05 February 2019 Read more...

The Last Survivors, BBC Two review - living on

Monday, 28 January 2019 Read more...

Kristen Roupenian: You Know You Want This review - twisted tales

Sunday, 27 January 2019 Read more...

Michael Peppiatt: The Existential Englishman review - we'll always have Paris

Sunday, 27 January 2019 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Batsashvili, BBC Scottish Symphony Orchestra, Rya...

This Prom began in sombre and melancholic shades of grey. Then...

Inter Alia, National Theatre review - dazzling performance,...

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal...

The Waterfront, Netflix review - fish, drugs and rock'n...

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport,...

Album: Debby Friday - The Starrr of the Queen of Life

Debby Friday is a Nigerian-Canadian singer-producer who found...

The Fantastic Four: First Steps review - innocence regained

Marvel goes back to its origins, gulping the fresh air of Stan Lee and Jack Kirby’s first hit comic The Fantastic Four in 1961. Ignoring...

Music Reissues Weekly: The Pale Fountains - The Complete Vir...

The Pale Fountains played their first live show on 12 February 1980 as the support to on-the-up fellow...

Giselle, National Ballet of Japan review - return of a class...

A new Giselle? Not quite: the production that ...

Buxton International Festival 2025 review - a lavish offerin...

The Buxton International Festival this year was lavish in its smaller-scale productions in addition to Ambroise Thomas’s Hamlet, the...

Classical CDs: Hens, Hamburg and handmaids

 

...