sat 25/10/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Joanna Trollope: Mum & Dad review - redemption in Spain

Read more...

Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

Read more...

Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&A

Read more...

Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

Read more...

Stewart Copeland's Adventures in Music, BBC Four review - an essay on the emotional power of music

Read more...

Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

Read more...

Eva Meijer: Animal Languages review - do you talk crow?

Read more...

John Grisham: The Guardians review - nail-bitingly good

Read more...

Michael Connelly: The Night Fire review - unputdownable

Read more...

John le Carré: Agent Running in the Field review - fake news, Brexit and Cold war echoes

Read more...

Joanna Cannon: Breaking and Mending review - can you feel too much?

Read more...

10 Questions for author Martin Gayford

Read more...

Martin Gayford: The Pursuit of Art review - devotion, distilled

Read more...

A. N. Wilson: Prince Albert review - entertaining bio is a total treat

Read more...

Martin Hägglund: This Life - Why Mortality Makes Us Free review - profound book to be read slowly

Read more...

BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

Fevereaten sees gothic punk-metallers Witch Fever revel in a...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...