fri 01/12/2023

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Joanna Trollope: Mum & Dad review - redemption in Spain

Read more...

Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

Read more...

Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&A

Read more...

Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

Read more...

Stewart Copeland's Adventures in Music, BBC Four review - an essay on the emotional power of music

Read more...

Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

Read more...

Eva Meijer: Animal Languages review - do you talk crow?

Read more...

John Grisham: The Guardians review - nail-bitingly good

Read more...

Michael Connelly: The Night Fire review - unputdownable

Read more...

John le Carré: Agent Running in the Field review - fake news, Brexit and Cold war echoes

Read more...

Joanna Cannon: Breaking and Mending review - can you feel too much?

Read more...

10 Questions for author Martin Gayford

Read more...

Martin Gayford: The Pursuit of Art review - devotion, distilled

Read more...

A. N. Wilson: Prince Albert review - entertaining bio is a total treat

Read more...

Martin Hägglund: This Life - Why Mortality Makes Us Free review - profound book to be read slowly

Read more...

BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

Read more...

Pages

latest in today

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...