wed 16/10/2024

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Joanna Trollope: Mum & Dad review - redemption in Spain

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Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

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Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&A

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Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

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Stewart Copeland's Adventures in Music, BBC Four review - an essay on the emotional power of music

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Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

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Eva Meijer: Animal Languages review - do you talk crow?

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John Grisham: The Guardians review - nail-bitingly good

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Michael Connelly: The Night Fire review - unputdownable

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John le Carré: Agent Running in the Field review - fake news, Brexit and Cold war echoes

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Joanna Cannon: Breaking and Mending review - can you feel too much?

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10 Questions for author Martin Gayford

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Martin Gayford: The Pursuit of Art review - devotion, distilled

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A. N. Wilson: Prince Albert review - entertaining bio is a total treat

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Martin Hägglund: This Life - Why Mortality Makes Us Free review - profound book to be read slowly

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BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

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Album: Mystery Time - Maudlin Tales of Grief and Love

Londoner Ayman Rostom has been around the block and then some. For some 25 years he’s been a hip hop producer as Dr Zygote, for the past decade he...

theartsdesk on Vinyl 86: Molly Tuttle, Depeche Mode, Pharoah...

VINYL OF THE MONTH

Hannah Scott Absence of Doubt (Fancourt Music)

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Blu-ray: The Valley of the Bees

František Vláčil’s Marketa Lazarová (1966) has been...

A Midsummer Night’s Dream, Opera North review - one of the b...

Martin Duncan’s 2008 production of A Midsummer Night’s Dream remains one of the best and funniest things Opera North has ever done – back...

Rose Matafeo, Arcola Theatre review - Starstruck star muses...

Rose Matafeo knows how to make an entrance, as she enters the stage with a choreographed dance. She's useless at ending things, she says – shows,...

Kaleidoscope Chamber Collective, Hatfield House review - mus...

“Sero sed serio”: so runs the Salisbury family motto on the carved coat-of-arms in the lavishly panelled and painted Marble Hall of Hatfield House...

Album: MC5 - Heavy Lifting

MC5 were the original proto-punkers who led the charge against wafty hippy music in the late Sixties and early Seventies. They were touted by...

A Raisin in the Sun, Lyric Hammersmith review - of race and...

Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also...

Salem’s Lot review - listless King remake

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw...