fri 01/12/2023

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Victorian Giants, National Portrait Gallery review - pioneers of photography

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Agnès Poirier: Left Bank review - Paris in war and peace

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Civilisations, BBC Two review - no shocks from Schama

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Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

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Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

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Andreas Gursky, Hayward Gallery review - staggering scale, personal perspective

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Afua Hirsch: Brit(ish) review - essential reading on identity

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DVD/Blu-ray: The Mystery of Picasso

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Charles I: King and Collector, Royal Academy review - a well executed display of taste

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Great American Railway Journeys, Series 3, BBC Two review - edutainment despite shortage of trains

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Art, Passion and Power: The Story of the Royal Collection, BBC Four review - monarchs knew the power of the portrait

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David Lodge: Writer’s Luck - A Memoir 1976-1991 review - literary days, in detail

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Big Cats, BBC One review - how cats conquered the world

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Little Women, BBC One review - life during wartime with the March sisters

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Judi Dench: My Passion for Trees, BBC One review - an arboreal delight

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Jenny Uglow: Mr Lear - A Life of Art and Nonsense review - a lonely Victorian life, so richly illustrated

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A Sherlock Carol, Marylebone Theatre review – merry, but mir...

It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...