fri 17/05/2024

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Neil MacGregor: Living with the Gods review - focuses of belief

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Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

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Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

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Roger Scruton: Music as an Art review - how to listen?

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Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

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Frank Gardner: Ultimatum review - topical terrorism

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Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

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William Trevor: Last Stories review - final intimations

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Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

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Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

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John Gray: Seven Types of Atheism review - to believe, or not to believe

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Monet and Architecture, National Gallery review - a revelation in paint

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The Queen's Green Planet, ITV review - right royal arboreals

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Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

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America's Cool Modernism, Ashmolean Museum review - faces of the new city

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Big Cats About the House, BBC Two review - irresistible feline-human bonding

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latest in today

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...

Jack Doherty, Soho Theatre review - warm and witty childhood...

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star...

Album: Jack Savoretti - Miss Italia

It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds,...

Two Tickets to Greece review - the highs and lows of a holid...

Two women were best friends at school but they haven’t...

Hoard review - not any old rubbish

A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...

It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...