tue 03/12/2024

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Neil MacGregor: Living with the Gods review - focuses of belief

Read more...

Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

Read more...

Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

Read more...

Roger Scruton: Music as an Art review - how to listen?

Read more...

Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

Read more...

Frank Gardner: Ultimatum review - topical terrorism

Read more...

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Read more...

William Trevor: Last Stories review - final intimations

Read more...

Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

Read more...

Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

Read more...

John Gray: Seven Types of Atheism review - to believe, or not to believe

Read more...

Monet and Architecture, National Gallery review - a revelation in paint

Read more...

The Queen's Green Planet, ITV review - right royal arboreals

Read more...

Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

Read more...

America's Cool Modernism, Ashmolean Museum review - faces of the new city

Read more...

Big Cats About the House, BBC Two review - irresistible feline-human bonding

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...

theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Son...

VINYL OF THE MONTH

Blood Incantation Absolute Elsewhere (Century Media)

...

Blu-ray: Juggernaut

That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the...

Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...

How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...

Electric Dreams: Art and Technology Before the Internet, Ta...

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...

Album: Panelia - Nothing and All At Once

Nothing and All at Once is the debut album from New Delhi...

Music Reissues Weekly: John Cale - The Academy in Peril, Par...

The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...

Blu-ray: Black Tuesday

The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...

The Importance of Being Earnest, National Theatre review - n...

If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...