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Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Neil MacGregor: Living with the Gods review - focuses of belief

Sunday, 23 September 2018 Read more...

Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

Sunday, 26 August 2018 Read more...

Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

Friday, 24 August 2018 Read more...

Roger Scruton: Music as an Art review - how to listen?

Sunday, 19 August 2018 Read more...

Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

Sunday, 17 June 2018 Read more...

Frank Gardner: Ultimatum review - topical terrorism

Sunday, 03 June 2018 Read more...

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Thursday, 24 May 2018 Read more...

William Trevor: Last Stories review - final intimations

Sunday, 20 May 2018 Read more...

Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

Sunday, 06 May 2018 Read more...

Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

Friday, 04 May 2018 Read more...

John Gray: Seven Types of Atheism review - to believe, or not to believe

Sunday, 29 April 2018 Read more...

Monet and Architecture, National Gallery review - a revelation in paint

Tuesday, 17 April 2018 Read more...

The Queen's Green Planet, ITV review - right royal arboreals

Tuesday, 17 April 2018 Read more...

Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

Sunday, 15 April 2018 Read more...

America's Cool Modernism, Ashmolean Museum review - faces of the new city

Thursday, 29 March 2018 Read more...

Big Cats About the House, BBC Two review - irresistible feline-human bonding

Friday, 23 March 2018 Read more...

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There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...

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Wendy and Lucy is a road movie with a...

The Monster of Florence, Netflix review - dramatisation of n...

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Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...