sun 01/06/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Neil MacGregor: Living with the Gods review - focuses of belief

Read more...

Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

Read more...

Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

Read more...

Roger Scruton: Music as an Art review - how to listen?

Read more...

Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

Read more...

Frank Gardner: Ultimatum review - topical terrorism

Read more...

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Read more...

William Trevor: Last Stories review - final intimations

Read more...

Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

Read more...

Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

Read more...

John Gray: Seven Types of Atheism review - to believe, or not to believe

Read more...

Monet and Architecture, National Gallery review - a revelation in paint

Read more...

The Queen's Green Planet, ITV review - right royal arboreals

Read more...

Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

Read more...

America's Cool Modernism, Ashmolean Museum review - faces of the new city

Read more...

Big Cats About the House, BBC Two review - irresistible feline-human bonding

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely resembles...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...

Album: Nick Mulvey - Dark Harvest Pt.1

Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare...

This is My Family, Southwark Playhouse - London debut of 201...

MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has...

Alan Sparhawk, EartH Theatre review - an absorbing game of t...

For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan...