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Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Neil MacGregor: Living with the Gods review - focuses of belief

Sunday, 23 September 2018 Read more...

Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

Sunday, 26 August 2018 Read more...

Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

Friday, 24 August 2018 Read more...

Roger Scruton: Music as an Art review - how to listen?

Sunday, 19 August 2018 Read more...

Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

Sunday, 17 June 2018 Read more...

Frank Gardner: Ultimatum review - topical terrorism

Sunday, 03 June 2018 Read more...

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Thursday, 24 May 2018 Read more...

William Trevor: Last Stories review - final intimations

Sunday, 20 May 2018 Read more...

Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

Sunday, 06 May 2018 Read more...

Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

Friday, 04 May 2018 Read more...

John Gray: Seven Types of Atheism review - to believe, or not to believe

Sunday, 29 April 2018 Read more...

Monet and Architecture, National Gallery review - a revelation in paint

Tuesday, 17 April 2018 Read more...

The Queen's Green Planet, ITV review - right royal arboreals

Tuesday, 17 April 2018 Read more...

Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

Sunday, 15 April 2018 Read more...

America's Cool Modernism, Ashmolean Museum review - faces of the new city

Thursday, 29 March 2018 Read more...

Big Cats About the House, BBC Two review - irresistible feline-human bonding

Friday, 23 March 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

Yazmin Lacey confirms her place in a vital soul movement wit...

We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...

From Historical to Hip-Hop, Classically Black Music Festival...

To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...