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Theartsdesk
Wednesday, 01 October 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
Graham Fuller
Friday, 04 April 2025
Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the...
Adam Sweeting
Friday, 04 April 2025
A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the verdant pastures of criminal low-lifery. It...
Sarah Kent
Friday, 04 April 2025
The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts...
Markie Robson-Scott
Friday, 04 April 2025
An Irish adaptation of Garcia Di Gregorio’s acclaimed 2008 film Mid-August Lunch, director Darren Thornton’s Four Mothers is the story of Edward (James McArdle) and his 81-year-...
Tim Cumming
Friday, 04 April 2025
I saw the Miki Berenyi Trio play a warmly received sold out set at the Lexington last autumn, at which many of the songs now coming out on Tripla ("three" in Hungarian) had their...
Gary Naylor
Thursday, 03 April 2025
It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean;...
Guy Oddy
Thursday, 03 April 2025
Pigsx7 have hardly got a reputation for penning tender and soulful ballads, but Death Hilarious is a particularly aggressive...
Gary Naylor
Wednesday, 02 April 2025
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of Music...
Graham Fuller
Wednesday, 02 April 2025
“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in...
Robert Beale
Wednesday, 02 April 2025
It’s quite ironic that the Royal Northern College of Music should have invited, as director of this, Britten’s avowedly...
Aleks Sierz
Wednesday, 02 April 2025
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry...
Liz Thomson
Wednesday, 02 April 2025
Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in...
Helen Hawkins
Tuesday, 01 April 2025
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the...
Pamela Jahn
Tuesday, 01 April 2025
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (...
India Lewis
Tuesday, 01 April 2025
Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating...
Markie Robson-Scott
Tuesday, 01 April 2025
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”...
Justine Elias
Monday, 31 March 2025
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into...
Robert Beale
Monday, 31 March 2025
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of...
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Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
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tv
MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie
High-powered cast impersonates the larcenous Harrigan dynasty
This City is Ours, BBC One review - civil war rocks family cocaine racket
Terrific cast powers Stephen Butchard's Liverpool drug-ring saga
The Potato Lab, Netflix review - a K-drama with heart and wit
Love among Korean potato-researchers is surprisingly funny and ideal for Janeites
film
Restless review - curse of the noisy neigbours
Assured comedy-drama about an ordinary Englishwoman turned vigilante
Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers
Emotions too raw to explore
Four Mothers review - one gay man deals with three extra mothers
Darren Thornton's comedy has charm but is implausible
new music
Album: Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Death Hilarious
Geordie rockers’ pulverising psych metal is guaranteed to rattle windows
Album: Elton John and Brandi Carlile - Who Believes in Angels?
Elton John & Brandi Carlile step out in style
classical
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manchester review - a journey through French splendours
Magic in lesser-known works of Duruflé and Chausson
Biss, National Symphony Orchestra, Kuokman, NCH Dublin review - full house goes wild for vivid epics
Passionate and precise playing of Brahms and Berlioz under a dancing master
Verdi Requiem, Philharmonia, Muti, RFH review - new sparks from an old flame
Discoveries on a veteran maestro's epic journey
opera
Owen Wingrave, RNCM, Manchester review - battle of a pacifist
Orpha Phelan brings on the big guns for Britten’s charge against war
Tales of Apollo and Hercules, London Handel Festival review - compelling elements, but a failed experiment
Conceptually the two cantatas just don't work together
theatre
The Importance of Being Oscar, Jermyn Street Theatre review - Wilde, still burning bright
Alastair Whatley honours his subject in a quietly powerful performance
Stiletto, Charing Cross Theatre review - new musical excess
Quirky, operatic show won't please everyone, but will delight many
Apex Predator, Hampstead Theatre review - poor writing turns horror into silliness
New play about motherhood and vampirism is disappointingly incoherent
dance
Balanchine: Three Signature Works, Royal Ballet review - exuberant, joyful, exhilarating
A triumphant triple bill
Romeo and Juliet, Royal Ballet review - Shakespeare without the words, with music to die for
Kenneth MacMillan's first and best-loved masterpiece turns 60
comedy
Harry Hill, Wilton's Music Hall review - madcap comic on terrific form
Utterly daft mix of new material and favourite old characters
Books
Howard Amos: Russia Starts Here review - East meets West, via the Pskov region
A journalist looks beyond borders in this searching account of the Russian mind
Henry Gee: The Decline and Fall of the Human Empire - Why Our Species is on the Edge of Extinction review - survival instincts
A science writer looks to the stars for a way to dodge our impending doom
visual arts
Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers
Emotions too raw to explore
Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances
The ancient monument opens its first exhibition of new photography
latest comments
I think he got coverage on RTE Lyric FM. It takes...
Well, Biss is at least a reasonably well known...
One of the greatest experiences of my life. Muti...
Finally, someone with some taste. This movie was...
I saw Nureyev and Fonteyn dance this wonderful...
This reworking of the original is soulless and...
A bit of a stretch. Could have been done in 2...
Thank you for this fantastic review. While I...