fri 17/01/2025

theartsdesk com, first with arts reviews, news and interviews

Theartsdesk
Friday, 31 January 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
Adam Sweeting
Friday, 17 January 2025
Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played the role of Alias in Sam...
Robert Beale
Friday, 17 January 2025
The past is a foreign country: they do things differently there. But in Love Life, Kurt Weill and Alan Jay Lerner’s musical from 1948, it’s all the same country. The couple whose...
Helen Hawkins
Friday, 17 January 2025
Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a woman faking sex but the angelic breathing of three...
Joe Muggs
Friday, 17 January 2025
Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand all to some degree or other had a...
Rachel Halliburton
Thursday, 16 January 2025
Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s Third Symphony, his great...
David Nice
Thursday, 16 January 2025
This was always going to be Jakub Hrůša’s night, his first at the Royal Opera since performances of Wagner’s Lohengrin won...
Sebastian Scotney
Thursday, 16 January 2025
This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth...
Veronica Lee
Thursday, 16 January 2025
By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which...
Kieron Tyler
Thursday, 16 January 2025
Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half...
Helen Hawkins
Wednesday, 15 January 2025
Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...
Adam Sweeting
Wednesday, 15 January 2025
In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly...
Ibi Keita
Wednesday, 15 January 2025
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...
Boyd Tonkin
Tuesday, 14 January 2025
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience...
Adam Sweeting
Monday, 13 January 2025
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American...
Robert Beale
Monday, 13 January 2025
Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary...
Gary Naylor
Monday, 13 January 2025
There are two main reasons to revive classics. The first is that they are really good; the second is that they have...
Veronica Lee
Monday, 13 January 2025
Europe's biggest comedy festival, which showcases established stars, works in progress, workshops and competitions, kicks...
Thomas H Green
Monday, 13 January 2025
Rooted in South African electronic styles such as kwaito, amapiano and gqom, the music of Moonchild Sanelly also shows a...

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★★★★ LEIF OVE ANDSNES, WIGMORE HALL Colour and courage, from Hardanger to Majorca

★★★★ GERMAN NATIONAL ORCHESTRA, MARSHALL Sheer youthful exuberance

★★★★ JENUFA, ROYAL OPERA Electrifying details undermined by dead space

★★★★★ OLIVER!, GIELGUD THEATRE Lionel Bart's 1960 masterpiece is Bourne again

★★★★ AMERICAN PRIMEVAL, NETFLIX Peter Berg's Western drama is grim but gripping

THE MAIDS, JERMYN STREET THEATRE Master and Servant, poison & procrastination

★★★★ CHRIS MCCAUSLAND The 'Strictly' winner is as cheerfully cynical as ever

disc of the day

Album: Kele - The Singing Winds Pt. 3

The road less travelled has led to a fantastically focused creative identity

The future of Arts Journalism

 

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Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

What's the Matter with Tony Slattery?, BBC Two review - absorbing but troubling search for answers

RIP TONY SLATTERY How mental illness cut short a brilliant showbusiness career

American Primeval, Netflix review - nightmare on the Wild Frontier

Peter Berg's Western drama is grim but gripping

film

A Complete Unknown review - how does it feel?

Timothée Chalamet brings it all back home as Bob Dylan

Vermiglio review - a simple tale, simply but beautifully told

Maura Delpero’s award-winner salutes the world of her childhood as it ebbs away

The Second Act review - absurdist meta comedy about stardom

French A-listers puncture their profession in a hall of mirrors

new music

Album: Kele - The Singing Winds Pt. 3

The road less travelled has led to a fantastically focused creative identity

Album: The Weather Station - Humanhood

Canadian singer-songwriter makes sense of a period of crisis

Album: Ethel Cain - Perverts

Cain’s new album is a far cry from her debut - and much more painful

classical

Simón Bolívar Symphony Orchestra, Dudamel, Barbican review - an epic journey from gossamer-like intimacy to apocalyptic rage

An orchestra on top form in Mahler's Third Symphony despite swirling controversies

Leif Ove Andsnes, Wigmore Hall review - colour and courage, from Hardanger to Majorca

Bold and bracing pianism in favourite Chopin and a buried Norwegian treasure

opera

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Love Life, Opera North review - Lerner and Weill's blast into the past

Time-travelling tale of love and despair - the first 'concept musical' revived

Jenůfa, Royal Opera review - electrifying details undermined by dead space

Knife-edge conducting and singing, but non-realistic production is weaker in revival

theatre

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 masterpiece is Bourne again
An intimate staging and superb casting make this a superior West End production
The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival
Class, in its 21st century manifestation, colours much performed play

dance

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Best of 2024: Dance

It was a year for visiting past glories, but not for new ones

Nutcracker, English National Ballet, Coliseum review - Tchaikovsky and his sweet tooth rule supreme

New production's music, sweets, and hordes of exuberant children make this a hot ticket

Books

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Best of 2024: Books

As 2024 comes to an end, we look back at the books that have thrilled and enthralled us

William J. Mann: Bogie & Bacall review - beyond the screen

Why we're still in love with Bogart and Bacall, and their legendary Hollywood romance

visual arts

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Best of 2024: Visual Arts

A great year for women artists

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