Shared Experience: sharing the work | reviews, news & interviews
Shared Experience: sharing the work
Shared Experience: sharing the work
Tuesday, 05 July 2011
Opening up the process: Shared Experience's joint artistic director Polly TealeLinda Nylind
Shared Experience is certainly living up to its name; in a radical departure from normal theatre conventions, the company is currently sharing part of its rehearsal process with audiences as it develops Helen Edmundson’s latest work, Mary Shelley, which tells the astonishing story of how Shelley came to write Frankenstein at the age of only 18.
Shared Experience is certainly living up to its name; in a radical departure from normal theatre conventions, the company is currently sharing part of its rehearsal process with audiences as it develops Helen Edmundson’s latest work, Mary Shelley, which tells the astonishing story of how Shelley came to write Frankenstein at the age of only 18.
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
Help to give theartsdesk a future!
Support our GoFundMe appeal
Mary, Queen of Scots, English National Opera review - heroic effort for an overcooked history lesson
Heidi Stober delivers as beleaguered regent, but Thea Musgrave's opera is limiting
Unicorn, Garrick Theatre review - wordy and emotionless desire
New West End drama about spicing up marriage is oddly lacking in passion
Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris Charmatz, Sadler's Wells review - clunkily-named company shows its lighter side
A new generation of dancers brings zest, humour and playfulness to late Bausch
Patrick Duff, The Mount Without, Bristol review - sacred music for the soul
A dilapidated Bristol church brought back to vibrant life
Josienne Clarke, Across The Evening Sky, Kings Place review - celebrating Sandy Denny
The contemporary singer-songwriter holds a torch for the late, great Sandy Denny
Music Reissues Weekly: Sharks - Car Crash Supergroup
The early Seventies blues rockers admired by prime movers in British punk
Fat Dog, Chalk, Brighton review - a frenetic techno-rock juggernaut
The rising London outfit deliver a sweaty Cossack-rave hoedown
Sidorova, Philharmonia, Alsop, Royal Festival Hall review - ladies of the dance
Vitality, virtuosity and sensuality on a pan-American trip
More Life, Royal Court review - posthuman tragedy fails to come alive
A new sci-fi gothic horror about life after death is intriguing, but flawed
Album: Park Jiha - All Living Things
Music and nature in synergy
Captain America: Brave New World review - talking loud, saying nothing
Muddled filler between Avengers films which hardly deserves Harrison Ford
Add comment