thu 04/07/2024

Classical Reviews

Khachatryan, London Symphony Orchestra, Gergiev, Barbican Hall

Edward Seckerson

Valery Gergiev’s survey of the Tchaikovsky symphonies began here on a chilly January night with youthfully idealistic Winter Daydreams thrown into the sharpest relief against a disillusioned and angry Shostakovich whose own journey into the bleak mid-winter was, by the time he penned his Second Violin Concerto, very much a one-way ticket. Two revealing performances, one remarkable young violinist.

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Hough, Budapest Festival Orchestra, Fischer, Royal Festival Hall

Igor Toronyi-Lalic Ivan Fischer's conducting: All about colour and texture and an open-air freshness

Who knew the changeover of the EU Presidency could be this much fun? Amid the formal bowing and scraping at the Royal Festival Hall bunfights last night that signalled that the Hungarians were now at the tiller of this sinking political ship were some dodgy political metaphors, a round of orchestral Where's Wally and some extraordinary music.

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Leonidas Kavakos, Enrico Pace, Wigmore Hall

David Nice

No doubt about it, Leonidas Kavakos is one of the world's top 10 live-wire violinists. But here in London he seems to have sold himself a bit short recently with a less than great concerto repertoire (Korngold, Szymanowski's Second). Korngold furnished a springy intermezzo in last...

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Genius Within: The Inner Life of Glenn Gould

graham Rickson

The classical-music industry loves dead icons; witness the endless reissuing and remarketing of recordings by Kathleen Ferrier and Jacqueline du Pré. Canadian pianist Glenn Gould died from a stroke at the age of 50 in 1982 and his seminal Bach discs have never been out of the catalogue since. Françis Giraud told Gould’s story on screen before in his 1993 film Thirty Two Short Films About Glenn Gould, an imaginative series of vignettes depicting scenes from Gould’s life.

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Christine Rice, Roger Vignoles, Wigmore Hall

alexandra Coghlan

The Sunday Afternoon Song Recitals are a wonderful Wigmore tradition. Filling in that tricky gap between lengthy weekend lunch and early school-night supper, they offer a chunky one-act programme, generous but without the fuss and faff of an interval. Balancing young talent with more established performers, the next few months see (among others) Emma Bell, Anna Grevelius and Isabel Bayrakdarian occupying this slot. Playing to the prevailing mood yesterday afternoon was repertoire from Gounod...

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Mainetti, Perianes, BBC Symphony Orchestra, Pons, Barbican

David Nice

This was a programme born for marketing cliché: banish the winter blues by bathing in Latin American/Iberian warmth. And it turned out to be true, by virtue of an unexpected watershed. How did the BBC Symphony strings manage to be first among the London orchestras to slip into something truly sensual, whether tangoing with an Argentinian bandoneónist - "A what?" you may ask, and I'll tell you shortly - or dancing malagueñas with a Spanish pianist?

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Iestyn Davies, Richard Egarr Wigmore Hall

alexandra Coghlan

Not a lot of swooning goes on at the Wigmore Hall. Nor does it seem the kind of institution to endorse rapturous wailing, beating of the breast, or the throwing of either flowers or underwear. All of which leaves one with the problem of how to respond appropriately to a concert such as last night’s by Richard Egarr and countertenor Iestyn Davies. Decorous applause doesn’t quite seem to cut it when faced with such a joyous abundance of talent, and I’d have endured any amount of plague and/or...

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BBC Symphony Orchestra, John Wilson, Barbican

Igor Toronyi-Lalic

Once upon a time, composers ran Hollywood. As conductor John Wilson reminded us last night, 44-time Oscar nominee and movie composer Alfred Newman became so powerful as second in command at MGM that he had two security guards posted at his office door. Any directors attempting to enquire how the score to their movies was getting along were told to clear off. Big, bold orchestral scores were Hollywood's crown jewels. At the Barbican last night we got a rare chance to inspect them close up....

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National Youth Orchestra/Kristjan Järvi, Leeds Town Hall

graham Rickson Kristjan Järvi: Swaggering, swaying and swooning like an illustration by Dr Seuss

A glance at the programme hinted at the identity of the orchestra: you don’t perform Prokofiev’s Scythian Suite and Janáček’s Sinfonietta in the same evening unless you’ve industrial quantities of brass and percussion to spare. This was riveting, transcendent stuff, and the most uplifting evening I’ve spent in a concert hall for years. Plus, the echoing barn of Leeds Town Hall is the ideal size for a 170-piece orchestra, a perfect place to experience Janáček’s...

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Mozart Unwrapped, Aurora Orchestra, Collon, Kings Place

David Nice

 

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