Comedy Reviews
Stephen K Amos, Churchill Theatre, BromleySunday, 01 November 2009
Stephen K Amos, although a mightily talented comic, doesn’t make a critic’s job easy. His new show, The Feelgood Factor, does indeed offer that and leaves everybody in the Churchill Theatre in Bromley in a happy mood (and many of them planning to buy him a pint afterwards), but unless I quoted reams of his delivery I couldn’t actually describe what the show is about, other than making people laugh. A lot. |
Stewart Lee, Mercury Theatre, ColchesterSaturday, 31 October 2009
It’s a brave comic who declares on stage every night that he would like to see a cute television presenter die in a horrific accident (as nearly happened to Top Gear’s Richard Hammond in 2006). But declares it Stewart Lee does and, for good measure, he also disses a fellow comedian while he’s at it. Read more... |
Dylan Moran, ApolloThursday, 29 October 2009Dylan Moran is, as the ethnic stereotype would have it, a great storyteller. The Irishman doesn’t tell jokes with punchlines as such, rather he rambles on a bit and sort of makes his points along the way. As entertainment, then, his latest show, What It Is, is the sort where one smiles a lot rather than laughs out loud. Read more... |
Alistair McGowan, touringSaturday, 24 October 2009Alastair McGowan’s larynx is an amazing thing; it allows him to do 120 voices in 120 minutes during his solo touring show, The One and Many..., which I saw at Journal Tyne Theatre in Newcastle-upon-Tyne. Not all the impressions are spot-on and there’s an over-reliance on sport-... Read more... |
Tim Minchin, Hammersmith ApolloSaturday, 24 October 2009
Of course there’ll be no certain way of knowing whether the ensuing rave is heartfelt. Four years ago Tim Minchin, fresh off the plane from Down Under, burst onto the Edinburgh Fringe to be greeted by a short sharp one-star crit from a Guardian reviewer who had possibly got out of the wrong side of the bed. Where a regular stand-up would look horribly petulant to bear such a public grudge, Minchin put his riposte in song, because he has that near-unique facility. Read more... |
Modern Family, Sky1 / Question Time, BBC OneThursday, 22 October 2009American critics have been fanfaring Modern Family as something of a sitcom revolution for its wit, intelligence and the cast's all-round expertise. It might take longer to grow a British fanbase, because you need a few spins around the circuit before its contours start to feel familiar, but then suddenly the lights go on and revelation ensues. Read more... |
Grumpy Old Women, Dorking HallsThursday, 22 October 2009Anyone looking for a novel way into their PhD on how the British like to be entertained would do well to sit in the audience of the live version of Grumpy Old Women, a successful spin-off from the BBC television series where celebby femmes d’un certain age sit and moan about whatever takes their fancy. Students of British social mores will learn that what Brits love more than... Read more... |
Al Murray, Brighton DomeWednesday, 21 October 2009
When Al Murray started doing his Pub Landlord character in the mid-1990s, many (including me) thought it was an invention of comic genius. Read more... |
The Rise and Fall of Little Voice, VaudevilleTuesday, 20 October 2009
It’s a big ask for any performer to take on a role that was written specially for another actor, but Diana Vickers’ supporters from her appearances in last year’s X Factor on ITV will be pleased to learn that she acquits herself very well indeed. She is Little Voice in Terry Johnson’s pleasing revival of Jim Cartwright’s The Rise and Fall of Little Voice, which began life in the National’s Cottesloe Theatre in 1992 with Jane Horrocks in the title role. Read more... |
Comedians, Lyric HammersmithThursday, 15 October 2009
What are the politics of comedy? The great thing about Trevor Griffiths's 1975 classic, Comedians, which opened last night in a solid revival directed by Sean Holmes, is that this subject is debated with grace as well as humour. As six apprentice comedians attend a night class run by the veteran stand-up Eddie Waters, they find that their hunger for stardom clashes with his desire to use comedy to make a difference, to change society. Read more... |
Pages
latest in today
Music Reissues Weekly: Peter Baumann - Phase by Phase: The V...
When the first solo album by Tangerines Dream’s Peter Baumann was released in the US in 1977, its promotion was striking. Press advertising (...
theartsdesk Q&A: conductor Dalia Stasevska on her new al...
Dalia Stasevska is a persuasive advocate for new music, as presented on her new album Dalia’s Mixtape. She combines a puppyish enthusiasm...
Album: Lee Scratch Perry & Youth - Spaceship to Mars
Lee “Scratch” Perry, Reggae’s dub emperor and all-round sound magician died in 2021, after a 60-odd year career that is rumoured to have produced...
Paradise Is Burning review - O mother, where art thou?
Paradise Is Burning is one of those films that appears to be designed to convince the outside world that Sweden isn’t all IKEA interiors...
Prom 52, Carmen, Glyndebourne Festival review - fine-tuning...
If you ever doubted that Bizet’s Carmen, 150 years young next year, is one of the greatest operas of all time, this performance would...
Sing Sing review - prison movie with an abundance of heart
Every actor has their own take on what acting means to them, which will...
Black Dog review - a drifter in China
We root for the rootless Outsider in classical western cinema because the places the Outsider fetches up in are scary dumps of the first...
Album: Mercury Rev - Born Horses
After the client has settled on the analyst’s couch, the lights are dimmed. Music sets the mood. A wordless vocal is accompanied by chimes. Cool...
Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelati...
Namedrop first: it was Charles Mackerras who introduced me to the music of Vítězslava Kaprálová, lending me a CD with...