sat 21/12/2024

Derek, Channel 4 | reviews, news & interviews

Derek, Channel 4

Derek, Channel 4

Ricky Gervais's latest vehicle will stir debate, but many nagging doubts remain

Derek (Ricky Gervais) and Hannah (Kerry Godliman) work in a care home

Ricky Gervais doesn't make it easy for critics or viewers. He has always pushed the boundaries of modern comedy with a cast of unlikeable characters, starting with his 11 O'Clock Show inquisitor to deluded fool David Brent in The Office and failed actor Andy Millman in Extras, as well as “himself” in The Ricky Gervais Show and Life's Too Short.

But within all his creations there has been an element of vulnerability that made them believable and ultimately sympathetic. And now his latest offering, which he wrote and directed, has at its heart a character, the titular Derek, whom Gervais describes as “different”, but who to the rest of us would appear to have learning difficulties.

Gervais has said that Derek (a character he first performed several years ago as part of the comedy triple bill The Rubberneckers with Jimmy Carr and Robin Ince at the Edinburgh Fringe), is cleverer than Father Ted's Father Dougal or Rowan Atkinson's Mr Bean. But surely the former was a likeable idiot and the latter a buffoon – and his assertion, for me at least, fails when we see that Derek is given a Hitler-style haircut, jutting lower jaw and a shuffling running-walking gait. He's an avid autograph hunter, a group of humanity that Gervais has derided in his live act as having messed-up DNA. Derek also loves The Secret Millionaire and viral videos involving hamsters playing the piano.

Debating points aside, Derek (the pilot of which was shown last night) was filmed in Gervais's favoured mockumentary style. Derek Noakes works in a care home for the elderly - although his job is undefined - and was showing a TV crew around. He's simple and kind, and performs acts of simple kindness to those around him, such as holding their hands or running errands for them. As care worker Hannah (Kerry Godliman) says, everybody likes Derek. But he lacks any social graces and says whatever comes into his head and, when she wondered if one of her charge's grandson, Tom, was gay, he went straight up and asked him, not understanding that her curiosity was piqued by finding him very fanciable.

Derek's best mate is Douglas, the home's no-nonsense caretaker, played by Karl Pilkington (pictured right with Gervais, sporting another ridiculous hairstyle that invites our laughter), with whom he also lives, and there was another pal introduced although not developed, a fellow autograph-hunter. Derek and Hannah are also mates and went to the pub together, and last night's one laugh-out-loud moment was when she nutted a woman in the pub who was making rude remarks about Derek looking like a tramp. Funny though the scene was, it was, like the relationships between the principals, hard to believe. What wasn't funny at all was the heavily telegraphed physical comedy – Derek sitting on a bowl of custard, Derek falling in a pond.

The show got better as the half-hour played out and there were several exquisite moments, most of them supplied by an astonishingly accomplished performance by stand-up comic Godliman, stealing every scene she was in. She indicated with the merest of looks her character's compassion, her loneliness and her longing for Tom. But Gervais had his lump-in-the-throat moments too and Derek's grief at losing his favourite old girl, Joan, was truly affecting; in a wordless scene Derek was seen saying goodbye to her, lifting her dead hand to pat his head one last time.

Gervais is already writing a full series of Derek, so must assume (or know) that the contract is in the bag. But the nagging doubts remained – why has he chosen to play Derek as a caricature, and would this pilot have been commissioned if his name wasn't attached to it? And, if he really is making a point about how we as a society negatively view anybody “different”, why not really go for it and cast an actor with learning difficulties, or Asperger syndrome, or whatever condition it is that a Hitler haircut, jutting lower jaw and shuffling walking/running gait are symptoms of?

There were several exquisite moments, most of them supplied by an astonishingly accomplished performance by Kerry Godliman

Share this article

Comments

firist want to say, i have aspergers syndrome, it's a "disability" not a "condition". second, as for derek i loved it, it was really not something i expected from rickey, and my favorite part was the bit in the bar when those girl's insult derek, because i've been through the same thing when i went to school and frankly of all the thing's people try to make us aware of that's one of the few thing's that's ever highlighted (comment's made about you in public place's and no one does anything mostly because they agree) and i'm glad someone did, thankyou rickey for bringing awarness about people with learning disability's.

I'm assuming that this reply to the review was written tongue-in-cheek, given the complete and utter murdering of the possessive apostrophe. Nice one, you nearly had me there.

You arrogant, self righteous, p#@ck. The first reply got a very important message across and all you can do is bitch about is the level of English. If you don't have anything worthwhile to say keep your idiotic trap shut. FOOL!!!

Fair review.

I thought it was awful. There were some moments that may have been "emotionally involved" such as death of friend, but that doesnt turn it into anything meaningful. It was halfway between trying too hard to be funny, and trying too hard to be serious. It didnt come across well. Sitting on pudding and falling in pond were quite pathetic for someone of Ricky's calibre.

Chancey Gardner ,Being There , Mary and Max . It'll be interesting to see how it pans out. I enjoyed it ! Not perfect but perfect requires the end of purpose and I for one hope this is just the begining. Can't be easy to play this character. any slacker-jawed and it would have been taking the piss. Played to perfection along with the rest of the cast

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters