dance
BalletBoyz at the Roundhouse, BBC FourSaturday, 31 October 2015
What I want to know is: has there been a major upsurge in boys taking contemporary dance classes this year? And if not, why not? With the amount of male dancing in the media these days, the excuse that boys lack dancing role models just won't wash any more. Read more... |
Gravity Fatigue, Hussein Chalayan, Sadler's WellsFriday, 30 October 2015
If you thought the era of the impresario died with Diaghilev, think again. Alistair Spalding, chief executive of Sadler's Wells, has commercial and artistic vision in spades, and masterfully combines them in his operation at the Wells. Read more... |
Carmen, Royal BalletWednesday, 28 October 2015
Carlos Acosta is that rare 21st-century phenomenon – a performer who has become a household name without the help of reality TV. Even people who run a mile from ballet know the story of the Havana slum boy made good through perseverance and pure talent, from countless primetime documentaries as well as a self-penned book and stage show. Read more... |
The King Dances, Birmingham Royal Ballet, Sadler’s WellsSaturday, 17 October 2015
For an art form with a marked penchant for looking over its shoulder, it’s surprising how rarely ballet has exploited its own origins story – not least given the fabled opulence and style of its leading character. The Sleeping Beauty makes a nod to Louis XIV and the court of Versailles in its final moments, but in most ballet goers’ mental archive that’s just about it. Read more... |
Swan Lake, Birmingham Royal Ballet, Sadler's WellsWednesday, 14 October 2015
Swan Lakes are not created equal. In fact they are not even created the same: ballet is the art form with the evanescent repertoire, in which First Folios – or any folios – are singularly scarce. Even with a classic as beloved as Swan Lake, there is no stable text apart from Ivanov's lakeside choreography for Act II and Tchaikovsky's score (though not even all of that). Read more... |
Raven Girl/Connectome, Royal BalletWednesday, 07 October 2015
Wayne McGregor wasn't anyone's idea of a ballet man when he was appointed choreographer in residence at the Royal Ballet in 2007. Before then, and since, his work has been abstract, spiky, verging on dysmorphic. His interest lay not in human stories but in the snap of synapses and the speed with which the brain can relay messages to a hyper-flexible body. Read more... |
Les Ballets Trockadero de Monte Carlo, Prog 2, Peacock TheatreThursday, 24 September 2015
If the Trocks didn't exist, we would have to invent them. Every genre needs its loving parodists, treading the fine line between homage and dommage, and an art form as stylised and convention-governed as classical dance is riper for it than most - as evidenced by the continuing worldwide success of this all-male comedy troupe after more than 40 years. Read more... |
Les Ballets Trockadero de Monte Carlo, Peacock TheatreThursday, 17 September 2015
If you don’t know the steps or the stars being semi-spoofed, will you laugh? Yes, though perhaps not as much as anticipated. The best parody needs to be as good as the original, and “the Trocks”, as Tory Dobrin's New York-based company has been known in its 40-plus years to date, take their Petipa and Ivanov very seriously. Read more... |
The King Who Invented Ballet, BBC FourMonday, 14 September 2015
Someone more unlike Louis XIV than David Bintley is hard to imagine. Read more... |
Lest We Forget, English National Ballet, Sadler's WellsWednesday, 09 September 2015
When English National Ballet premiered Lest We Forget in April last year, to enthusiastic reviews, they were ahead of the pack with First World War commemoration, and the ambitious modern programme was the first sign of Tamara Rojo's determination to make the company's repertoire more contemporary. Read more... |
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