dance
FAR, Wayne McGregor / Random Dance, Linbury Theatre, Royal Opera HouseSaturday, 17 November 2012![]()
Make no mistake; this is dancing of the highest order. The classically trained members of Wayne McGregor's company Random Dance demonstrate such exceptional mastery of technique that their movements should have one drooling in admiration. Read more... |
Jasmin Vardimon Company, FREEDOM, Sadler's WellsTuesday, 13 November 2012![]()
The Jasmin Vardimon Company bring their latest creation, FREEDOM, to Sadler’s Wells this week for two nights only. The work is best described as a collection of vignettes (supposedly) discussing the subject of freedom, and any conflicting conditions. The programme literature confirms that Vardimon is assessing “political systems, social conditions and personal philosophies” within the piece – which is seriously fighting talk that wasn’t necessarily backed up. Read more... |
Cesena, Anne Teresa De Keersmaeker’s Rosas, Sadler’s WellsFriday, 09 November 2012![]()
Well, if De Keersmaeker made us work hard for our enlightenment earlier in the week, we more than get our reward with her triumphant, astonishing Cesena in the second part of her double-programme designed for the Avignon Festival. Read more... |
En Atendant, Anne Teresa De Keersmaeker’s Rosas, Sadler’s WellsTuesday, 06 November 2012![]()
No one ever accused of Anne Teresa De Keersmaeker of thinking small. Or not thinking, for that matter. Her international career began with a bang, when with only her second work she created Fase, Four Movements to the Music of Steve Reich. And Reich’s music, filled with repetitive figures, harmonic rhythm and canons, is not a million miles – even if it’s 600 years – away from the ars subtilior of Avignon, De Keersmaeker’s new musical focus. Read more... |
Viscera/Infra/Fool's Paradise, Royal BalletSunday, 04 November 2012![]()
A new Liam Scarlett ballet has become an event, even as, in this case, Scarlett’s home company, the Royal Ballet, is recreating a work he choreographed last January for Miami City Ballet – the young choreographer’s first international commission. Read more... |
Russell Maliphant, The Rodin Project, Sadler’s WellsTuesday, 30 October 2012![]()
Imagine that Rodin’s Thinker gets bored with sitting, head-on-hand, contemplating the folly of humankind and, springing to life, descends from his lofty perch above The Gates of Hell. Having been immobile for a century or more, he is extremely stiff and needs to limber up: cue for some first-rate body popping interspersed with the kind of heroic poses usually reserved for life drawing classes. Read more... |
Birmingham Royal Ballet, The Grand Tour/ Faster/ The Dream, Sadler's WellsSaturday, 27 October 2012![]()
Birmingham Royal Ballet’s second triple bill at Sadler’s Wells this week is aptly titled "Autumn Celebration", acknowledging the season’s diverse weather through eclectic, light-hearted programming. Read more... |
Jonzi D, Lyrikal Fearta Redux, Lilian Baylis StudioSunday, 21 October 2012![]()
Jonzi D has been integral in defining British hip hop since it first filtered over from the States in the early 1980s – and has further managed to keep his finger firmly on the pulse. His two-week residency in Sadler’s Wells Theatre’s studio sees him returning to his own work, rather than his higher-profile role curating the annual Sadler’s Wells Breakin’ Convention festival for streetdance. Read more... |
The Sleeping Beauty, English National Ballet, Milton Keynes TheatreThursday, 18 October 2012![]()
Has the great ballerina Tamara Rojo ever done a more nerveracking performance than she did last night in Milton Keynes? Read more... |
Swan Lake, Royal BalletThursday, 11 October 2012![]()
The Royal Ballet’s autumn season began on Monday, but this was the eagerly awaited Swan Lake. Natalia Osipova, ex-Bolshoi, now principal with American Ballet Theater and the Mikhailovsky in St Petersburg, was making her debut as a guest with the Royal Ballet, partnered by Carlos Acosta. Read more... |
Pages
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...

The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...

“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...
Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin...

In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby...
The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is often called “the...

There’s this mod milieu, harking back to the Eighties. Weller at the forefront; Dr Robert and his Blow Monkeys; all righteously hate Thatcher;...

It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...

The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...