dance
Scottish Ballet, Rubies/ Workwithinwork/ In Light and Shadow, Sadler's WellsThursday, 01 October 2009
Rubies is a ballet for a girl comfortable with her curves, who can slink her hips and tip her bottom and relish seeing the men’s eyes widen. That the said girl is a ballerina, for whom curves are usually anathema, shows the personality challenge that this snazzy, jazzy George Balanchine ballet sets to its leading lady. Read more... |
Theyam, Kerala and the BarbicanMonday, 28 September 2009
4 am. Eternal. I'm at an all-night temple festival somewhere in north Kerala in southern India - not so much in the middle of nowhere as on the outskirts of nowhere. There's wild chenda drumming and a terrifying apparition of a man who has gone into a trance – the goddess Babrakali, they tell me, has possessed him. He's wearing an outrageous red costume 12ft high, and he is charging right at me. The fact that his outfit is on fire, that he's just bitten the head off a live cockerel... Read more... |
Bonachela Dance Company, Queen Elizabeth HallFriday, 25 September 2009
A modern choreographer has arrived when he gets to run two companies in parallel, the institution that appoints him director, and - as a sort of personal couture line - his own group. Wayne McGregor does it with the Royal Ballet and his Random Dance, now it’s Rafael Bonachela who took on Sydney Dance Company at the end of last year, while retaining his own Bonachela Dance Company at the South Bank Centre. Read more... |
Goldberg, Linbury Studio TheatreMonday, 21 September 2009
At last a seriously good new ballet created not just inside the Royal Opera House’s bunker-like Linbury Studio Theatre but actually making complete sense of its space and atmosphere. Kim Brandstrup’s new creation with the Royal Ballet star Tamara Rojo, Goldberg, is a beautiful, grown-up piece of fine musical feeling and drama, and with a design and lighting scheme to die for. Read more... |
Insane in the Brain, Peacock TheatreTuesday, 15 September 2009
On Britain’s Got Talent this year Diversity and Flawless raised the bar for street dance as far as mass British audiences were concerned, a public increasingly schooled by Sadler’s Wells’ smart and eclectic annual spring hip-hop festival. So Bounce, the Swedish crew returning to London with its 2006 version of Ken Kesey’s One Flew Over the Cuckoo’s Nest, has new standards to compete with. Read more... |
Zeitung, Rosas, Sadler's WellsFriday, 11 September 2009
Having felt thoroughly racked by Anne Teresa De Keersmaeker’s marathonian and bone-dry Rosas danst Rosas on Wednesday, I was hardly expecting charm and beguilement from the even longer Zeitung last night. But Zeitung is one of the most delightful and intelligent evenings about modern dance’s volatile relationship with classical music that I’ve seen. Read more... |
Rosas danst Rosas, Sadler's WellsTuesday, 08 September 2009
There’s a sly in-joke in the plastering of Mark Morris posters over Sadler’s Wells when Anne Teresa De Keersmaeker’s Rosas are currently inside it. Morris, the waggish American choreographer whose publicity shouts “Joy, Pure Joy”, dubbed her “De Tearjerker” when she followed him into the prestigious position of resident choreographer at Brussels’ Théâtre de la Monnaie. Read more... |
Eonnagata, Sylvie Guillem/ Robert LePage/ Russell Maliphant, Sadler’s WellsSaturday, 28 February 2009
With five first-magnitude stars in it you're expecting at least a five-star show from Eonnagata, the collaboration between ballerina Sylvie Guillem, theatre director Robert Lepage, choreographer Russell Maliphant, designer Alexander McQueen and lighting genius Michael Hulls - possibly even the Milky Way. But I can't divvy up more than two stars for the result. Read more... |
Pages
latest in today
Picnic at the Castle review - entertaining mixed bill
Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking...
Nocturnal review - an impossible love
The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...
Album: Alicia Keys - Alicia
Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...
Rocks review - impressively well-crafted neo-realist drama
Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...
GogolFest:Dream review - the best music festival of the summ...
GogolFest:Dream in Kherson, somewhere near the Crimea in...
Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Fes...
An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable...
The Devil All The Time review – a test of faith in a Souther...
There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time...
Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard
One source of advance information told us to expect a reduced version of...
Album: Fish - Weltschmerz
"This party's over" snarls Fish on Weltschmerz, and, this time, it seems the big man really means...
Alban Gerhardt, Markus Becker, Wigmore Hall review - long sh...
It wouldn’t be true to say I’d forgotten what a solo cello in a...