dance
Tanguera, Sadler's Wells TheatreTuesday, 10 August 2010
Strange listening to Sadler’s Wells chief Alistair Spalding timidly defending “cutting-edge” dance on yesterday’s Radio 4 arts debate - having just been to the current SWT dance show, Tanguera. Read more... |
After A Dancemaker Dies, BBC Radio 3Sunday, 08 August 2010
Two giants of dance died last year: Pina Bausch and Merce Cunningham. Right now audiences aren’t being deprived of seeing why their names are written permanently in lights in dance history (Bausch’s company performs in Edinburgh and London later this year, Cunningham’s is in London in October), but after 2011 they may be. Cunningham’s company will close, while Bausch’s will be in its last of an uncertain three-year grace period. Read more... |
Don Quixote, Bolshoi Ballet, Royal Opera HouseSaturday, 07 August 2010
There is a moment when you see dancers at their absolute peak that notches a bit of history in your memory - you never forget when you see it happen. In my area of contemporary choreography you can’t measure it in those terms but you can with classical ballet, and a Don Quixote performance like I saw at the Bolshoi last night sets the bar. This level of performance is Olympic-sized, it erases everything else you have seen. Read more... |
Le Corsaire & Paquita Triple Bill, Bolshoi Ballet, Royal Opera HouseMonday, 02 August 2010
After all the encomia for Natalia Osipova it’s time for a paean to another Bolshoi ballerina, whose witty underplaying and conquest of style makes her the lady I’d choose to see shipwrecked in full tutu, diamonds and pink satin pointe shoes on any desert island I fetched up on. Read more... |
Carlos Acosta, Premieres, London ColiseumSunday, 01 August 2010
Great stars get lost sometimes. Up there in outer space, ringed with adulation, when they get a mid-life crisis sometimes they get sucked into a vanity black hole. No light emits, just the tatters of an angel who lost his way in his own legend. Read more... |
Serenade & Giselle, Bolshoi Ballet, Royal Opera HouseMonday, 26 July 2010
We’re getting used to expecting the extraordinary from Natalia Osipova - and then getting some more. With her impish face and farouche capriciousness, with a spring like a high-jumper and shoulders like a swimmer, she is without doubt the most explosively delightful comedienne and virtuoso around at the Bolshoi, but could she be a Giselle? Read more... |
Coppélia, Bolshoi Ballet, Royal Opera HouseThursday, 22 July 2010
Coppélia is the name of the doll in the ballet-comedy - not that of the heroine, who is a bad pixie named Swanilda, a girl of youthful capriciousness but a heart of gold. Read more... |
Laurencia, Mikhailovsky Ballet, London ColiseumTuesday, 20 July 2010
Rape, marauding soldiers, peasants on the warpath and a flash hero - are we at the Bolshoi’s Spartacus once again? No, we’re at the Mikhailovsky Ballet down the road at the Coliseum where a rather more Erroll Flynn-type spectacle is being offered, Laurencia. Read more... |
Spartacus, Bolshoi Ballet, Royal Opera HouseMonday, 19 July 2010
Roll up, roll up for the ancient Roman circus of a production almost as old as I am. Thrill to the catchy tunes and the oom-pah basses of flash Aram Khachaturian, played with the kind of lurid splendour you thought could only be faked on Soviet-era Melodiya recordings. Enjoy the pageant of sword-waggling, goosestepping cohorts, flagellated slaves, skimpy-tunicked maidens and golden-wigged ephebes. Read more... |
Gala programme, Mikhailovsky Ballet, London ColiseumMonday, 19 July 2010
The Mikhailovsky Ballet is full of surprises. Predictably for a Russian company it brought a gala programme yesterday - unpredictably, it brought a rare example of St Petersburg 19th-century ballet comedy and a new commission of contemporary ballet. Neither of these is box office, so how refreshing is that? Then there were the thongs-and-glitter pas de deux of the strenuous 20th-century Soviet athletic style, and a classical jewel from Sleeping Beauty, and a wholly delightful court... Read more... |
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