Blu-ray: Assault on Precinct 13

John Carpenter’s classic second film still thrills

share this article

Through the smoke: Austin Stoker, Laurie Zimmer and Darwin Joston in 'Assault on Precinct 13'

An action film with an intensity that sets it apart, Assault on Precinct 13 still shocks. Although expected, its first killing is a “they wouldn’t do that, would they?” moment. No wonder the 2005 remake failed to overshadow the original. John Carpenter’s hard-boiled second feature, a follow-up to Dark Star, was filmed on a budget of $100,000 in less than three weeks in late 1975 and released the following year. He wrote, shot and edited it as well as composing and playing its brilliant soundtrack music (the early Human League took a lot from it). With a cast of unknowns, the noir-toned Los Angeles exploitation film stands or falls on its execution and power to enthral.

As Carpenter says in the extras of this new Blu-ray release, Assault on Precinct 13 was his version of Howard Hawks’s western Rio Bravo, with a touch of George Romero’s Night of the Living Dead. In this case, a police station in contemporary suburban Los Angeles is under siege on the night before it shuts down, rather than a small town.

Each precise set-up is framed for maximum effect

The cast give remarkable, flab-free performances. Austin Stoker is police Lieutenant Ethan Bishop, straight down the line in his decency and stoicism. Condemned criminal Napoleon Wilson (Darwin Joston), stopping off on the way to Death Row, turns out to be a tower of strength. As the station’s admin person Leigh, Laurie Zimmer dominates with her mix of can-do attitude and fatalism tinged with positivity. Douglas Knapp’s cinematography is also a joy: each precise set-up is framed for maximum effect. No space is wasted.

Assault on Precinct 13 is well-served by this new edition which is packed with extras (though there's no booklet). The image quality is superb and emphasises the inventive lighting. The (grainy) trailer, various shorts and Carpenter’s commentary are complemented by two essentials: the director's recently discovered oddball student short Captain Voyeur, and the dreamlike full-length, Agnès Varda-influenced 2003 French documentary Do You Remember Laurie Zimmer? Assault on Precinct 13 is a classic and this package is a great way to see it.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The noir-toned Los Angeles exploitation film stands or falls on its execution and power to enthral

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more film

A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly
Convoluted drama takes on Fab Four delusions, brotherly trauma and ultraviolence
Sophy Romvari's atmospheric first feature looks back at a tortured family dynamic
The evergreen animation franchise in a below-par new romp