Spike Lee’s ambitious tale of five American veterans returning to Vietnam to settle unfinished business, should have opened out of competition at Cannes last month. He was set to become the first African American film-maker to head the festival jury. Instead, coronavirus wiped out Da 5 Bloods cinema release and the film debuts on Netflix.

The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/writer/producer like Apatow has room for growth. 

Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend whom they have shared.

Simon Bird's feature film debut as a director is a gentle, warm-hearted look at a mother and son's strained relationship as they are forced to spend the summer holidays together when the teenager's dad cruelly cancels a trip to see him and his pregnant, much younger wife in Florida.

A master at bringing neurotics to bilious life on screen, David Thewlis shines as a peevish, corrupt health inspector in Guest of Honour.

Woody Allen’s filmography, like Michael Caine’s, is remorseless, accepting mediocre work to mine more gems than most. Even after his career and this film’s planned 2018 release became collateral damage to #MeToo and a revived child abuse allegation, he has kept directing. A Rainy Day in New York is a thorough résumé of late Woody flaws, but still sparks with residual brilliance.

It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Pitsenbarger, a US Air Force Pararescueman who was killed in action while rescuing over 60 injured soldiers during one of the bloodiest conflicts in the Vietnam war. 

The Vast of Night’s premise scarcely guarantees originality. Non-science-fiction buffs scoping Amazon’s film listings will probably move on quickly when they learn it’s about two late-'50s teenagers discovering that an alien space craft is hovering over their rural New Mexico burg.

Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi is one such location, made famous by such films as The Beach and The Man with a Golden Gun. New release Krabi, 2562, from festival favourite directors Anocha Suwichakornpong and Ben Rivers, tackles these issues.

The Uncertain Kingdom is a VOD anthology of 20 short films, 10 directed by women, comprising a tapestry of life in – and, in one case, outside – Brexit-era Britain. Though hope, humour, and whimsy were threaded into the project, its dominant fabric is grey.