The Falling, released in cinemas this week, charts the events surrounding an epidemic of fainting among pupils of a girls' school in the late 1960s. The trigger appears to be the end of the friendship between the intense Lydia and the outgoing Abbie. Much in the dream-like film is unexplained. Abbie’s difficult home life is perhaps a contributing factor, as may be the institution’s disconnection from the liberal world evolving beyond the school’s gates.

Nominated for Best Foreign Language film at this year’s Oscars, Wild Tales is that rarity, a portmanteau film; even rarer, it’s a good one. Though unconnected by plot or character, the six darkly comic stories are bonded by themes of revenge and fighting back – against cheating lovers, bad drivers, rank bureaucracy, the crook who ruined your life. It’s about people who cross a line most of us only fantasise about.

Continuing on from yesterday where great British comedy sat alongside Turkish slow cinema in our countdown of the best films from 13-6, here are our top five films of 2014. Another diverse selection which celebrates ambitious and immersive storytelling, technical prowess and breathtaking sights.

5. Inside Llewyn Davis (dirs. Ethan Coen, Joel Coen)

In 2014 theartsdesk film team presents their picks of the year with a list of 13 diverse titles from great homegrown and international directors. Thirteen is the number of theartsdesk film critics who voted in our end-of-year poll so we have compiled our list so each of our wonderful writers can act as a champion for one of their personal picks. Sci-fi, comedy and thrillers feature alongside slow cinema and experimental arthouse, showing off a range of tastes. 

Dubai is a city that famously emerged from the desert, founded on oil and ambition, rising in an eruption of skyscrapers, luxury resorts and bling.

One might say that Gulf cinema is also trying to grow in a desert – a cultural one. Dubai is hardly known for its intellectual or cultural output; film doesn’t attract the same investment as real estate or tourism; and audiences attending the multiplexes in this city’s enormous malls are not given much of a taste for anything other than Hollywood.

No Gravity or Interstellar has challenged the might and influence of 2001: A Space Odyssey: its re-release this week is one of the movie events of the year. Those who haven’t previously seen it – but who take CGI for granted – should be prepared to be awestruck, if not necessarily moved, by the classical music-enhanced images of planets, spacecraft, and astronauts created with animation, matting, models, back projection, and Douglas Trumbull’s special photographic effects.

Classical composers have always enjoyed depicting the implausible. Operas based on mythological subjects abound, creating near-impossible staging demands. Musical works based on science fiction are far rarer. Haydn's plodding opera Life on the Moon isn't one of his most scintillating works. More engaging is the first act of Janacek's comedy The Excursions of Mr Brouček, its pickled hero dreaming himself onto the surface of a moon inhabited by a colony of fey artists and intellectuals.

He was at home with screen newcomers like Dustin Hoffman and Cher and knew how to handle such old pros as Richard Burton and Elizabeth Taylor, while his stage work gave a leg up to then-unknowns Robert Redford and Whoopi Goldberg and he collaborated time and again with Meryl Streep and Emma Thompson.

We’ve grown accustomed to cinemas asking punters to pocket their cell phones, or prohibiting food and drink inside the auditorium. But an unassuming sign on the doors of the Gartenbaukino in Vienna has a different plea: Bitte nicht laufen. Please don’t run.

When Andrei Zvyagintsev’s Leviathan opens in Russia early next year it won’t be in the director’s cut. Given new legislation effective from this past July, it will be against the law to include the very distinctive Russian expletives, known locally as mat, that are plentiful in the director’s film, and add a very distinctive quality to his depiction of contemporary Russia.