Emmanuel Sonubi burst on the scene at last year's Edinburgh Fringe, where he was nominated in the prestigious Edinburgh Comedy Awards, and has since appeared on the BBC's Live at the Apollo and supported Jason Manford on tour. It's easy to see why he's broken through; the north Londoner is an instantly engaging presence on stage, with a cheeky conversational style that draws the audience in.

Chris Rock knows how to tease. It’s a safe bet that many watching this show are here for one thing – to hear his version of events that took place at last year’s Oscars, when actor and erstwhile rapper Will Smith came on stage and slapped the comic. 

Crybabies – a sketch group comprised of Michael Clarke, James Gault and Ed Jones – were nominated for best newcomer for Danger Parade, a brilliant parody of Second World War adventure stories, at the 2019 Edinburgh Comedy Awards. Their second show, Bagbeard, was another critical success at last year's Fringe and is now having its second run at the Soho Theatre.

Bridget Christie is hot. Not in that way, you mucky pups. She’s hot because she’s 51 and menopausal, she tells us – and she’s on a mission to explain why, rather than marking a negative moment in her life, it’s the start of a new age, and a good one at that.

She makes a persuasive case, setting out the downsides first. The hot flushes, obviously. The brain fog, the irregular periods – with the occasional “passata tsunami” – but mostly how it heralds invisibility for middle-aged women.

Ricky Gervais tells us at the top of the show that there was a backlash to his 2022 Netflix special SuperNature. So big, he says, that it’s become the most watched comedy special of the year. “So I’ve learnt my lesson,” he says with a side-eye to the audience.

The most striking thing at the London Palladium for the last night of “Weird Al” Yankovic's mini-tour of the UK was the number of youngsters in the audience. I don't mean young adults, but children, who were there with their parents and even grandparents. 

Catherine Cohen made quite an impact at the 2019 Edinburgh Fringe, where she won best newcomer in the Edinburgh Comedy Awards for The Twist? She's Gorgeous. Global events have delayed her follow-up and a UK debut tour, but here it is, and Come For Me was worth waiting for.

A lot has been happening in Lucy Porter’s life since she last toured. The pandemic we all know about, so she doesn’t detain us to recount her lockdown woes; they get merely tangential mentions in Wake Up Call as she talks about more recent events which included a health scare leading to something of a midlife crisis.

At one point in this brilliantly constructed and performed set, Alex Edelman ponders on the catchment area for his comedy and figures it might be the Upper West Side of Manhattan. Nah: this is comedy that can talk to anybody with a brain. 

In 2022 we were finally able to welcome back the first “proper” Edinburgh Fringe since 2019. While I was disappointed that a few established comics – they know who they are – hadn't used the enforced layoff from live comedy to, you know, write new material, I was delighted to see others who had very obviously done so – and produced really memorable work.