One thing we know for sure about Erin Carter is that she’s played by Swedish-Kurdish actor Evin Ahmad, and it’s clear right from the start that she’s a woman with a complicated past which she’s trying to run away from. But you’ll have to get to episode four before the mysteries start to unwind themselves.

Ruth Wilson possibly hasn’t had as much to get her teeth into on-screen since she vamped it up in Luther. Her performance as Lorna Brady in The Woman in the Wall is an object lesson in the way a performer in demand for her engaging looks and edgy sexiness can smartly step off that particular conveyor belt and go off in a totally new direction. 

They could have titled this series Gaslighting. It’s a sly and twisty thriller about a conman whose deadliest weapon is his gift for making his victims feel as if everything that happened to them was their own fault, and they brought it on themselves.

Netflix scooped up the rights to an armful of Harlan Coben’s standalone novels for a colossal sum, and now Amazon Prime has nipped in and signed up Coben’s series of Mickey Bolitar books, which fall under the “young adult” heading. Shelter is the first one off the blocks.

Despite its cursory nods to new technology, there’s something deliciously old-fashioned about Only Murders in the Building. Now into its third series, it tells the stories of a trio of affluent Manhattanites who make true-life podcasts about the mysterious deaths that occur in their palatial Upper West Side apartment building.

Presented to you by Channel 4’s industrious Walter, Enemy of the People is a punchy Finnish drama which makes some smart and timely observations about life in the age of digital money and poisonous social media.

Adapted by Megan Gallagher from one of Mo Hayder’s Jack Caffery novels (the seventh one, apparently), Wolf might be described as Welsh Gothic, spiced up with a splash of gratuitous sadism. Episode two, for instance, is titled merely “Torture”, which might apply to some of the acting as much as the dramatic content.

If you want to get a hit show on American TV, you could do a lot worse than recruit Taylor Sheridan to create it for you. Special Ops: Lioness, a bruising trip into the innards of a CIA counter-terror unit, follows a string of successes which have made Sheridan a towering presence in film and TV.

Channel 4 has been getting a lot of flack on Twitter from people involved in disability for the title of this documentary. Family members protested that "retard" was a word that could not be reclaimed, only to be told that as non-disabled people themselves, their voices had to take a back seat. An interview with its presenter Rosie Jones in The Guardian erupted into online arguments about who had the right to speak for intellectually disabled people.  

Writer Peter Bowker apparently had plans to make six series of World on Fire, but the arrival of Covid after 2019’s first series threw a spanner in the works. Anyway, here’s the second one at last, and it’s a little strange to find that this encyclopedic saga of the Second World War has only advanced as far as the autumn of 1940.