wed 27/08/2025

New Music Reviews

Ian McCulloch, St Pauls Arts Centre, Worthing

Thomas H Green

Things do not start well. Ian McCulloch, in trademark shades, apparently not aged a jot since Echo & the Bunnymen’s 1980s glory days, hits the stage in an offensive strop. He is performing a solo acoustic set from a chair. Beside him on a table sit a glass of water, a glass of milk and another glass with – at a guess – vodka and cranberry juice. He has the demeanour of a diva who’s been having a “party” in their changing room. Milk is good for settling an acid stomach.

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Reissue CDs Weekly: The Odyssey - A Northern Soul Time Capsule

Kieron Tyler

 

The Odyssey A Northern Soul Time CapsuleVarious Artists: The Odyssey - A Northern Soul Time Capsule

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Sam Lee & Friends: Temples Tour

Tim Cumming

Sam Lee launched his second album this week, the eagerly anticipated follow-up to his Mercury-nominated debut, A Ground of it Own.

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The Pursuit of Now, Sadler's Wells

Matthew Wright

Even for a dancer of Akram Khan’s sublime gifts, “Now” is an evasive concept to convey. During last night’s Sadler’s Wells extravaganza of Azerbaijani jazz and contemporary dance, “The Pursuit of Now”, Khan and his co-performer, the German-Korean dancer Honji Wang, mesmerised in a series of vignettes, gorgeously choreographed and lit.

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CD: Blancmange – Semi Detached

Barney Harsent

After waiting a quarter of a century for Blancmange’s last album, 2011’s Blanc Burn, this new offering, effectively a Neil Arthur solo project, almost feels like a rush release. There’s a much changed visual aesthetic – gone is the stylised, Fifties cover kitsch, replaced by something much more stark and impenetrable. Now, I know you shouldn’t judge a book by its cover, but what about CDs?

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Dr John & The NiteTrippers, Ronnie Scott's

Thomas Rees

Blues is an old man’s game. To do it properly you really have to have lived, and to have the scars and the criminal record to show for it. How do I know? Because Mac “Dr John” Rebennack is living proof. As he shuffled on at Ronnie Scott’s last night to join his NiteTripper four-piece, with a walking stick in each hand and his dreadlocked pony tail hanging over one shoulder, he had the look of a man who’s done himself serious damage over the years.

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The Stranglers, O2 Academy, Birmingham

Guy Oddy

Perhaps it’s because today’s economy often seems to reflect the nightmare of the late Seventies, but recent years have seen plenty of the original punks return to public attention with a renewed vigour. Whereas some, like support band The Rezillos, have reformed after a break of several decades, the Stranglers, despite a few line-up and stylistic changes, have never gone away and aren’t shy about playing a set of tunes drawn from their 40-year career.

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Reissue CDs Weekly: Simple Minds

Kieron Tyler

 

Simple Minds Sparkle in the RainSimple Minds: Sparkle in the Rain

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Paloma Faith, Brighton Centre

Thomas H Green

Paloma Faith has been on the front pages lately. Winning the Brit Award for Best Female Solo Artist 2015, following two previous unsuccessful nominations, has done her profile no harm. A few songs in tonight she squats down behind the grand piano and announces, “There’s a little thing round here,” then triumphantly produces her Brit, dedicating it to her audience.

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Spandau Ballet, Brighton Centre

Thomas H Green

Of course they had to end with “Gold”. It’s one of those songs which, once heard, even if you dislike Spandau Ballet, is impossible to remove from the brain, a bona fide Eighties classic. Lead singer Tony Hadley and guitarist Gary Kemp, the man who wrote their songs, even performed a short acoustic version earlier on, perched amid the Brighton Centre’s 4500 capacity crowd in the sound desk area.

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