mon 04/11/2024

New Music Reviews

Orbital, Brixton Academy

joe Muggs

Orbital occupy a singular position in the pantheon of Nineties dance live acts that made it to arena-show status. Paul and Phil Hartnoll's trademark shaved heads and specs-with-headlights gave them a massively spoddy image that belied an everyman quality to their music, but although their early releases unquestionably helped form the distinctively British sounds of rave and hardcore, they never quite became part of those scenes.

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Kinky Friedman, The Komedia, Brighton

Thomas H Green

With his latest campaign to become Governor of Texas just kicking into gear, Kinky Friedman should probably be at home in the US, rather than on the south coast of Britain. The man himself says that he's been "sent out of state so I wouldn't screw up". In 2006 he took 13 per cent of the vote as an independent candidate but next year he has the backing of the Democratic Party so it's more than just the eccentric whim of a Jewish country singer.

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The South Bank Show, ITV1

Adam Sweeting

They say you don’t know what you’ve got until it’s gone, and despite its sometimes erratic quality control, the loss of The South Bank Show (ITV1) is going to be like having a leg sawn off TV's arts coverage.

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FaltyDL, Plastic People

joe Muggs

Club music has always been a mongrel creation.  By definition, DJ-driven music – assuming the DJ is any good – is about combination, recombination and juxtaposition.  But even allowing for all that, we are currently going through an uncommonly fecund time in the clubs as disparate fringe innovations of the last decade collide and combine.

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Michael Ball, Royal Albert Hall

Edward Seckerson

“If you feel like singing along... don’t.” Michael Ball knows his audience – I mean, really knows his audience - and only he could turn a rebuke into a well-timed gag. About that audience: the age range is a good half-century but at its heart are the hardcore Ballites, the mums and grandmums who adopted the fresh, smiley, dimple-faced, leading juvenile 25 years ago and have been on his tail ever since.

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Martin Simpson, Queen Elizabeth Hall

Russ Coffey

Folk singers travel well. And it’s often as ex-pats that they best appreciate their own culture. Martin Simpson, born in Scunthorpe, lived the life of a professional English folkie for 15 years before relocating to America. Although working the clubs as a bluesman he never lost his keen ear for his own roots music.

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theartsdesk at Bestival 2009

Thomas H Green

Bestival was the first festival to embrace fancy dress and, five years into its career, still does it best. This year the theme was "Out of Space" and with the weather delivering gorgeous Indian summer sunshine, a welcome contrast to Bestival 2008’s deluge of wind-blown sleet, a contagious carnival of intergalactic characters extended across the site.

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Dele Sosimi Afrobeat Orchestra, Purcell Room

howard Male

OK, let’s start with a bit of icon-bashing. In some circles, to say that a current Afrobeat band might actually be better than what the originator of the style, Fela Kuti, produced in the 1970s, would be as outrageous and absurd as proclaiming that the Ruttles were better than the Beatles. Fela Kuti is untouchable and beyond criticism, just as John Lennon and Bob Marley are. But Fela’s mythological status  is fed by an incongruous mix of the good, the bad and the ugly.

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Thank You for the Music, Hyde Park

Veronica Lee

What an absolute joy. Two and a half hours of Abba songs performed by a (mostly) stellar line-up with Kylie Minogue topping the bill, and the songwriting duo Benny Andersson and Bjorn Ulvaeus appearing on stage to take the tumultuous applause of a 35,000 crowd gathered in Hyde Park in London. Only the surprise appearance of their erstwhile musical and marital partners Anni-Frid Lyngstad and Agnetha Faltskog could have turned this memorable evening into a perfect one.

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The 2009 Mercury Music Prize: And the winner is...

Robert Sandall Speech Debelle: Speech Therapy

Speech Debelle – and she for one is not surprised. In a feisty speech accepting her nomination for the £20,000 prize, given annually to the best British album of the year, the 25-year-old rapper from South London warned the other 11 acts on the shortlist ahead of last night’s judgment that she planned “to take this one home”. By 10.20 last night the panel of judges agreed that she should, making Debelle the third female solo artist to win the Mercury in this century, following PJ Harvey in 2001...

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