Così fan tutte, Grand Theatre, Leeds

Opera North excels in a crisp and imaginative revival

by Graham RicksonSaturday, 12 September 2009

The film critic Mark Kermode maintains that if a film is advertised on the side of a bus, it will inevitably be rubbish. Opera North are advertising this revival of Tim Albery’s 2004 Così fan tutte extensively on the sides of buses here in Leeds. Kermode’s theorem evidently doesn’t hold for opera.

Explore topics

Share this article

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Opera

Prom 52, Carmen, Glyndebourne Festival review - fine-tuning a masterpiece No loss of vivid focus as the Albert Hall becomes Bar Lillas Pastia

Verdi's Requiem / Capriccio, Edinburgh International Festival 2024 review - words, music, judgement Philharmonia Orchestra closes the festival with grandeur and intimacy

The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production Beautiful music, but curious decisions in scripting and staging sink the show

Le nozze di Figaro, Komische Oper Berlin, Edinburgh International Festival 2024 review - great singing wasted Entertaining in places, this is Kirill Serebrennikov’s piece, not Mozart’s

Oedipus Rex, Scottish Opera, Edinburgh International Festival 2024 review - beautifully uncomplex Organic immersion for this memorable night at the museum

Prom 24, The Fairy Queen, Les Arts Florissants/Le Jardin des Voix, Agnew review - hip-hop hornpipes A spectacularly skilful show lacks the human touch

Tristan und Isolde, Glyndebourne review - infinite love at white heat The London Philharmonic Orchestra burns for the country house opera’s music director

The Butterfly House, Clonter Opera review - Puccini in biographical briefs The life and many loves of the composer told with his own music

ll Segreto di Susanna/Pagliacci, Opera Holland Park review - on with the motley, out with the fags An intriguing comic partner for the great backstage melodrama

First Person: trans opera singer Lucia Lucas on Tippett’s 'New Year' and her life in music The baritone’s success with Birmingham Opera Company has led to further reflections

theartsdesk at the Buxton International Festival - power and glory in early Verdi An enjoyable surprise in ingenious Handel oratorio staging

First Person: Katharina Kastening on directing slimline Bizet in a year rich in 'Carmen' productions Peter Brook's 'La Tragédie de Carmen' further reimagined at Buxton

Follow @theartsdesk