Forster's Maurice takes a longer journey | reviews, news & interviews
Forster's Maurice takes a longer journey
Forster's Maurice takes a longer journey
Sure-footed direction and first-class acting in Forster adaptation
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/1f12456c899fa7256e8f7626f2f12583.jpg?itok=oxg2Dqk0)
Above the Stag, an unpromising-looking, ominously shuttered gay pub in the ungainly heart of Victoria, a little miracle has been taking place. Word of mouth quickly sold out an intelligent adaptation of E M Forster's great coming-out novel Maurice, so the run has been extended until this Saturday. At the time of writing there were a few seats left for the final performance; as for a transfer, who knows?
Friends bought tickets for this one, so I came to it fearing all that's bad about pub theatre (and from some I've seen, it couldn't be much worse). How wrong I was. Roger Parsley and Andy Graham have selected nearly all of Forster's most significant one-to-ones. The clarity of his prose keeps datedness or sentimentality at bay, and it's much assisted by Tim McArthur's sure-footed direction as well as some first-class acting from Adam Lilley's ambivalent hero - excellent in conflict with poor sister Ada (Persia Lawson) - and from Jonathan Hansler in two consummate cameos. Unless you're fixated on the image of Rupert Graves's gamekeeper in the cagier Merchant-Ivory film - I'm not - then Stevie Raine's Alec is all that could be desired. Further details from Above the Stag Theatre's website.
Above the Stag, an unpromising-looking, ominously shuttered gay pub in the ungainly heart of Victoria, a little miracle has been taking place. Word of mouth quickly sold out an intelligent adaptation of E M Forster's great coming-out novel Maurice, so the run has been extended until this Saturday. At the time of writing there were a few seats left for the final performance; as for a transfer, who knows?
Friends bought tickets for this one, so I came to it fearing all that's bad about pub theatre (and from some I've seen, it couldn't be much worse). How wrong I was. Roger Parsley and Andy Graham have selected nearly all of Forster's most significant one-to-ones. The clarity of his prose keeps datedness or sentimentality at bay, and it's much assisted by Tim McArthur's sure-footed direction as well as some first-class acting from Adam Lilley's ambivalent hero - excellent in conflict with poor sister Ada (Persia Lawson) - and from Jonathan Hansler in two consummate cameos. Unless you're fixated on the image of Rupert Graves's gamekeeper in the cagier Merchant-Ivory film - I'm not - then Stevie Raine's Alec is all that could be desired. Further details from Above the Stag Theatre's website.
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