Madame Armfeldt pronounces | reviews, news & interviews
Madame Armfeldt pronounces
Madame Armfeldt pronounces
Friday, 04 June 2010
Angela Lansbury, Catherine Zeta-Jones and Keaton Whitaker as three generations of Armfeldts in 'A Little Night Music'Joan Marcus
Angela Lansbury is the wittiest, least self-regarding and most articulate octogenarian actress I've ever come across. That much seems clear from her half-hour interview with Mark Coles on the estimable, if sometimes rather narrow-agenda-ed BBC World Service arts programme The Strand. At 84, Lansbury has been having a whale of a time venting the laid-back disapproval of old Madame Armfeldt in Sondheim's A Little Night Music. The run at Broadway's Walter Kerr Theatre with this cast, which of course also features Catherine Zeta-Jones as her actress daughter, comes to an end on 20 June and Lansbury is tipped to glean yet another Tony as Best Featured Actress in a Broadway show.
Angela Lansbury is the wittiest, least self-regarding and most articulate octogenarian actress I've ever come across. That much seems clear from her half-hour interview with Mark Coles on the estimable, if sometimes rather narrow-agenda-ed BBC World Service arts programme The Strand. At 84, Lansbury has been having a whale of a time venting the laid-back disapproval of old Madame Armfeldt in Sondheim's A Little Night Music. The run at Broadway's Walter Kerr Theatre with this cast, which of course also features Catherine Zeta-Jones as her actress daughter, comes to an end on 20 June and Lansbury is tipped to glean yet another Tony as Best Featured Actress in a Broadway show.
more Theatre
Laughing Boy, Jermyn Street Theatre review - impassioned agitprop drama
Strong ensemble work highlights the plight of people with learning disabilities
Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi
Philip K Dick’s science fiction short story fares far better on screen
Two Strangers (Carry A Cake Across New York), Criterion Theatre review - rueful and funny musical gets West End upgrade
A Brit and a New Yorker struggle to find common ground in lively new British musical
Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedy
Winning performances cannot overcome a scattergun approach to a ragbag of issues
Banging Denmark, Finborough Theatre review - lively but confusing comedy of modern manners
Superb cast deliver Van Badham's anti-incel barbs and feminist wit with gusto
London Tide, National Theatre review - haunting moody river blues
New play-with-songs version of Dickens’s 'Our Mutual Friend' is a panoramic Victori-noir
Machinal, The Old Vic review - note-perfect pity and terror
Sophie Treadwell's 1928 hard hitter gets full musical and choreographic treatment
An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories
Fact emerges skilfully repackaged as fiction in an affecting solo show by Richard Nelson
The Comeuppance, Almeida Theatre review - remembering high-school high jinks
Latest from American penman Branden Jacobs-Jenkins is less than the sum of its parts
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough drama
Philippa Gregory’s first play tries to exonerate Richard III, with mixed results
Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knight
Ian McKellen's Falstaff thrives in Robert Icke's entertaining remix of the Henry IV plays
Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in care
Heart-rending chronicle of difficult, damaged lives that refuses to provide glib answers
Add comment